Chord Book

Now playing

Lazy Eye

Chords
4.310 votes
Get the app
App StoreGoogle Play
C#minor
90BPM
Lyrics & ChordsClick chords to see diagrams
1/243
Sound:
123456789101112131415eBGDAE23×1O1234
Step 1 / 243Position: 11
1 index2 middle3 ring4 pinkyO open
LAZY EYE - Acoustic Chords (Alt. version for lone guitarists)
Silversun Pickups
Std. Tuning
| Chord | Full (Roots) | Play Suggestions |
| G#m/E | 0-11--x-13-12-11 | 0-11--x-13(12)-x |
| F#m/E | 0--9--x-11-10--9 | 0--9--x-11(10)-x |
| Am/E | 0-12--x-14-13-12 | 0-12--x-14(13)-x |
| C#m | 9-11-11--9--9--9 | 9-11-11-(9--9)-x |
| B | 7--9--9--8--7--7 | 7--9--9-(8--8)-x |
| G#? | ??? | x-11--x--9--x--x |
| E | 0--2--2--1--0--0 | 0--2--2--1-(0)-x |
| E2 | x--7--x--9--9--7 | x--7--x--9-(9)-x |
[Main Riffs]
Riff 1 is the same with a different F#m/E at start of 2nd measure.
The Am/E (Am) is the quick slide or bend to the A note (if playing only 2 strings) or shown
here as a slide to Am.
* below = Double-time (repeat). Messes up the formatting to try to squish another chord in.
Basically, all chords shown are downstrokes on 8 counts/measure, where there's an astericks
below fit in a quick follow-up upstroke (usually only hitting the E and A strings). At the
end of Riffs 1a-c, do this on the last 0-11 (or use 0-x) on E and A strings to make the record
skipping sound, before connecting to a similar pass.
[Riff 1a] |----(1a)----|
| 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |
G#m/E   F#m/E   G#m/E(Am)
e|---------(*)----------*--|---------(*)------------*|
B|(12)--------(12)---------|(10----10-10-12-12/13\12)|
G|-13(13-13-13)13(13-13-13)|-11----11-11-13-13/14\13-|
D|-x--x--x--x--x--x--x--x--|-x-----x--x--x--x--x--x--|
A|-11-11-11-11-11-11-11-11-|-9-----9--9--11-11/12\11*|
E|-0--0--0--0--0--0--0--0--|-0-----0--0--0--0-----0-0|
[Riff 1b] |----(1b)----|
G#m/E   F#m/E   G#m/E(Am)
e|---------(*)----------*--|------------------------*|
B|(12)--------(12)---------|---------(12-12-12/13\12)|
G|-13(13-13-13)13(13-13-13)|(11\9-/11)13-13-13/14\13-|
D|-x--x--x--x--x--x--x--x--|-x--x--x--x--x--x--x--x--|
A|-11-11-11-11-11-11-11-11-|-9-\7-/9--11-11-11/12\11*|
E|-0--0--0--0--0--0--0--0--|-0--------0--0--0-----0-0|
[Riff 1c] |----(1c)----|
G#m/E   F#m/E   G#m/E(Am)
e|---------(*)----------*--|------------------------*|
B|(12)--------(12)---------|------------(12-12/13\12)|
G|-13(13-13-13)13(13-13-13)|---------(13)13-13/14\13-|
D|-x--x--x--x--x--x--x--x--|-9-h11p9--x--x--x--x--x--|
A|-11-11-11-11-11-11-11-11-|(9)-------11-11-11/12\11*|
E|-0--0--0--0--0--0--0--0--|(0)-------0--0--0-----0-0|
[Riff 2](varies in use, but this demonstrates the regular approach)
| 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |
e|-C#m--------(*)----------*--|-B--------(*)----------*--|
B|(9~)--------(9)----------|(7~)--------(7)----------|
G|-9~----------9-----------|-8~----------8-----------|
D|-11(11-11-11)11(11-11-11)\-9-(9--9--9)-9-(9--9--9)-|
A|-11-11-11-11-11-11-11-11-\-9--9--9--9--9--9--9--9--|
E|-9--9--9--9--9--9--9--9--\-7--7--7--7--7--7--7--7--|
[Bass Riff](pretty much throughout, heard more towards middle and end)
| 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |
E|-0--0--0--0--0--0--0--0--|-7--7--7--0-----0--0--0--|
Okay, now let's attack the song...
[INTRO]
| 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |
|G#m/E |F#m/E(1a) G#m/E (Am) | (x3) - w/ Riff 1a
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1) - w/ Riff 1b
|C#m |B | (x1) - w/ Riff 2
|G#m/E |F#m/E(1c) G#m/E (Am) | (x4) - w/ Riff 1c
4) I've been...
[VERSE 1]
|G#m/E |F#m/E(1a) G#m/E (Am) | (x1) - w/ Riff 1a
waiting... I've been
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1) - w/ Riff 1b
waiting for this moment all... my...
|C#m |B | (x1) - w/ Riff 2
life... but it's not quite
|G#m/E |F#m/E(1c) G#m/E (Am) | (x2) - w/ Riff 1c
1)right.
2) And this...
[VERSE 2]
|G#m/E |F#m/E(1b) G#m/E (Am) | (x2)
1)"real"... it's im-
2)-possible, if possible at who's blind...
| C#m| B| (x1)
word... so clear but so un-(heard)
* start Solo 1:1 (over this pass and a half)
|G#m/E |F#m/E(1c) G#m/E (Am) | (x2)
1)-heard.
[SOLO 1]Part 1
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------------------------|-14--14-12---------------|
A|-------------------------|----------14p12h14p12\11-|
E|-------------------------|-------------------------|
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------9-----------9-----|-------------------------|
A|-9-h11---11--9-h11---11--|-------------------------|
E|-------------------------|-10/12\10-7--------------|
Then...
* play Solo 1:2 (over these 4 measures)
|G#m/E |F#m/E(1a) G#m/E (Am) | (x1)
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1)
I've been...
[SOLO 1]Part 2
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-11-11--13--13/14-11-----|
D|-14-14-14-14-14-14-14-14-|-------------------------|
A|-------------------------|-------------------------|
E|-------------------------|-------------------------|
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-11-11/13--11/9----------|
D|-14-14-14-14-14-14-14-14-|-------------------------|
A|-------------------------|-------------------------|
E|-------------------------|-------------------------|
(I've been...)
[VERSE 3]
|G#m/E |F#m/E(1b) G#m/E (Am) | (x2)
1)waiting... I've been
2)waiting for this silence all... night...
| C#m| B| (x1)
long... it's just a matter of
* play Solo 2 here (its short)
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1)
time. To appear...
[SOLO 2]
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------------------------|-14-14-------------------|
A|-------------------------|------14\12----(11/12\11)|
E|-------------------------|---------------(0--0--0-)|
(To appear...)
[VERSE 4]
|G#m/E |F#m/E(1b) G#m/E (Am) | (x2)
1)sad... with this
2)same ol' decent lazy eye fixed to rest on
| C#m| B| (x1)
you... aim free and so un-(true)
[MIDDLE SECTION](NICE)
(This is the "dic-A-dant-dant, dic-A-dic-A-dant-dant" part)
G#? F#m   G#m   F#m   G#mG#m-Am-F#m
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--11--13--13-13/14\11-| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x--x--|
A|-11-11-x-x-9--9--9--x-x-/|-11--9---11--11-11/12\9--|
E|-------------------------|-------------------------|
true.
G#? F#m G#m F#-E
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--13--13--13-11\9-----| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x-----|
A|-11-11-x-x-9--9--9--x-x-/|-11--11--11--11-9-\7-----|
E|-------------------------|-------------------------|
G#? F#m   G#m   F#m   G#mG#m-Am-F#m
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--11--13--13-13/14\11-| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x--x--|
A|-11-11-x-x-9--9--9--x-x-/|-11--9---11--11-11/12\9--|
E|-------------------------|-------------------------|
G#? F#m G#m F#-E
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13-13-13-11\9-----------| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x--x--x--x--x-----------|
A|-11-11-x-x-9--9--9--x-x-/|-11-11-11-9-\7-(11/12\11)|
E|-------------------------|---------------(0--0--0-)|
Every-
| C#m| B| (x1)
-one is so int-i-mately rearanged...
|G#m/E |F#m/E(1c) G#m/E (Am) | (x2)
2) Every-
| C#m| B| (x1)
-one can fo-cus clearly with such
* Solo 3 played over the next 8 measures
|G#m/E |F#m/E(1a) G#m/E (Am) | (x3)
1)shine.
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1)
Every-(one)
[SOLO 3]
(Sorry haven't worked out or confirmed yet - when I don't know the solos, I just play the
Riff 1a-c's using full chords and it sounds awesome, though doesn't match cd. Try it out)
| C#m| B| (x1)
-one is so int-i-mately re--a--(ranged...)
|G#m/E |F#m/E(1a) G#m/E (Am) | (x1)
-ranged...
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1)
Every-
| C#m| B| (x1)
-one can fo-cus clearly with such
[MIDDLE SECTION](ANGRY THEN SWEET)
E | E | (E2, can be used here too)
1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |
e|-------------------------|-------------------------|
B|------(0)---------(0)----|------(0)---(0)---(0)----| (x4)
G|-------1-----------1-----|-------1-----1-----1-----|
D|-------2-----------2-----|-------2-----2-----2-----|
A|-2-2-2-2-----2-2-2-2-----|-2-2-2-2-2-2-2-2-2-2-----|
E|-0-0-0-------0-0-0-------|-0-0-0---0-0---0-0-------|
1) shine!!! Lost and
2) loaded!! Still the
3) same ol' decent lazy eye straight thru your
4) gaze!!!! That's why I said that I have to re-
| C#m| B| (x1)
-late!!! I said it really, its so fun to re-
|G#m/E |F#m/E(1c) G#m/E (Am) | (x2)
1)-late!
2) It's the...
|G#m/E |F#m/E(1b) G#m/E (Am) | (x2)
1)room, the sun, and the sk-y-y--y. It's the
2)room, the sun, and the sky-----y.
[SPACEY INTERLUDE SECTION](Adlib solos over repeated sets of Riff 1a, 1b, and 2)
|C#m* |B* | (x1)
* sometimes in this section the first C#m or B of Riff 2 is strummed and held through measure.
[Solo 4][here, played over]
[Background 1]
|G#m/E |F#m/E(1a) G#m/E (Am) | (x1)
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1)
Or
[Background 2]
E|-0--0--0--0--0--0--0--0--|-7--7--7--0-----0--0--0--| (x2) - Bass Riff
[SOLO 4](Alt. for phaser solo)
D|-------------------------|-------------------------|
A|-14-14-14-14-14-14-14-14-|-14-14-12-14-12-11-9--11-|
E|-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|
G|-------------------------|-------------------------|
D|-------9----------9h11---|-------------------------|
A|-9-h11---11-9-h11------11|-------------------------|
E|-0--0----0--0--0-------0-|-12-12-10-7--------------|
then...
| C#m| B| (x1)
into...
| E2| E2| (x4)
| 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |
e|-------------------------|-------------------------|
B|------(9)---------(9)----|------(9)---(9)---(9)----| (E, reg/open, can be used here too)
G|-------9-----------9-----|-------9-----9-----9-----|
D|-x-x-x-x-----x-x-x-x-----|-x-x-x-x-x-x-x-x-x-x-----|
A|-7-7-7-7-----7-7-7-7-----|-7-7-7-7-7-7-7-7-7-7-----|
E|-x-x-x-------x-x-x-------|-x-x-x---x-x---x-x-------|
then back to...
| C#m| B| (x1)
[OUTRO](Back to familiarity to finish up...)
|G#m/E |F#m/E(1c) G#m/E (Am) | (x4)
4) I've been...
|G#m/E |F#m/E(1a) G#m/E (Am) | (x3)
1)waiting... I've been
2)waiting for this moment...
3)
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1)
|G#m/E*| (*single hit of 1st beat only)
************************************
| x Dead note
| (n) Ghost note
| * Natural harmonic
| / Slide up
| \ Slide down
| h Hammer-on
| p Pull-off
| ~ Vibrato
| . Staccato
************************************
All chords in this song (7)

🎸 Tips from players

Got a tip for playing this song — capo position, easier chords, strumming? Be the first to share one.

About Lazy Eye Chords by Silversun Pickups

Learn how to play Lazy Eye by Silversun Pickups with free guitar chords, lyrics, and interactive chord diagrams. Search for “Lazy Eye chords”, “Lazy Eye guitar chords”, or “Silversun Pickups Lazy Eye chords” and you will find this page — transpose to any key, tap chords for diagrams, and use auto-scroll while you play. Perfect for beginners looking for easy Lazy Eye chords and for experienced players who want accurate Lazy Eye lyrics and chords in one place. Common chords in this song include G#m/E, F#m/E, Am/E, C#m, B, G.

FAQ — Lazy Eye by Silversun Pickups

How do I play "Lazy Eye" by Silversun Pickups on guitar?

Open the free chords for "Lazy Eye" by Silversun Pickups on Free Chord Book. Tap any chord to see its diagram, use transpose to change the key, and turn on auto-scroll to play hands-free.

Are the chords for "Lazy Eye" by Silversun Pickups free?

Yes. The chords for "Lazy Eye" by Silversun Pickups are 100% free on Free Chord Book — no sign-up required.

Can I transpose "Lazy Eye" to a different key?

Yes. Use the transpose buttons on the song page to shift "Lazy Eye" up or down by half-steps so it matches your vocal range or capo position.

Can I see chord diagrams for "Lazy Eye"?

Yes. Tap any chord in "Lazy Eye" to instantly see an interactive guitar chord diagram with alternate fingerings.

Is "Lazy Eye" easy to play on guitar?

Many players learn "Lazy Eye" by Silversun Pickups with our free chords. Use transpose and chord diagrams to simplify tricky shapes, and browse related songs by Silversun Pickups below.

What key is "Lazy Eye" in?

The chords for "Lazy Eye" show the original chord names (including G#m/E, F#m/E, Am/E, C#m, B, G). Use transpose to move the song into any key that fits your voice or capo.

Report a problem with this sheet · Copyright concern?