{"source":"Free Chord Book","source_url":"https://www.free-chords.com","license_note":"Free for personal use. Lyrics and compositions © their respective songwriters and publishers.","tab_id":592086,"song":"Blonde On Blonde","artist":"Bob Dylan","content_type":"chord","tab_type":"Chords","url":"https://www.free-chords.com/song/592086-blonde-on-blonde-chords-by-bob-dylan/","api_url":"https://www.free-chords.com/api/v1/songs/592086?type=chord","rating":4.84169,"votes":42,"content":"Artist: Bob Dylan \r\nBlonde On Blonde\r\n\r\nSongs:\r\n1. Rainy Day Women #12&35\r\n2. Pledging My Time\r\n3. Visions Of Johanna\r\n4. One Of Us Must Know (Sooner Or Later)\r\n5. I Want You\r\n6. Stuck Inside Of Mobile With The Memphis Blues Again\r\n7. Leopard-Skin Pill-Box Hat\r\n8. Just Like A Woman\r\n9. Most Likely Yoy Go Your Way (And I'll Go Mine)\r\n10. Temporary Like Achilles\r\n11. Absolutely Sweet Marie\r\n12. 4th Time Around\r\n13. Obviously 5 Believers\r\n14. Sad-Eyed Lady Of The Lowlands\r\n\r\n*All words and music by Bob Dylan\r\n\r\n1. Song: Rainy Day Women #12&35\r\n\r\n[Chorus] (x2)\r\n[tab]              [ch]F[/ch]                    [ch]Fdim[/ch]      [ch]Edim[/ch]  [ch]F[/ch]\r\nWell, they'll stone ya when you're trying to be so good[/tab]\r\n                       [ch]Fdim[/ch]      [ch]Edim[/ch]      [ch]F[/ch]\r\n[tab]        [ch]Bb[/ch]                   [ch]Edim[/ch]      [ch]Cdim[/ch]\r\nhey would[/tab]\r\n        [ch]Bb[/ch]                   [ch]Edim[/ch]      [ch]Cdim[/ch]\r\nThey'll stone ya whe             [ch]F[/ch]                    [ch]Fdim[/ch]  [ch]Edim[/ch]   [ch]F[/ch]\r\n            Fdi      [ch]C7[/ch]\r\n[tab] [ch]F[/ch]                   [ch]F[/ch]         [ch]Fdim[/ch] [ch]Edim[/ch] [ch]F[/ch] \r\nThen they'll stone ya [/tab]\r\n[tab]a-lone[/tab]\r\n      [ch]C7[/ch]\r\nBut I would not feel so a[ch]F[/ch][ch]Fdim[/ch]one\r\n[tab][ch]F[/ch]         [ch]Fdim[/ch] [ch]Edim[/ch] [ch]F[/ch]\r\nEverybody must get  stoned.[/tab]\r\n\r\n[Verse] \r\nThey'll stone ya when you're at the breakfast table.\r\nThey'll stone ya when you are young and able.\r\nThey'll stone ya when you're tryin' to make a buck.\r\nThey'll stone ya and then they'll say, \"good luck.\"\r\nTell ya what, I would not feel so all alone,\r\nEverybody must get stoned.\r\n\r\n[Chorus] (x2)\r\n[tab]              [ch]F[/ch]                    [ch]Fdim[/ch]      [ch]Edim[/ch]  [ch]F[/ch]\r\nWell, they'll stone ya when you're trying to be so good[/tab]\r\n                       [ch]Fdim[/ch]      [ch]Edim[/ch]      [ch]F[/ch]\r\n[tab]        [ch]Bb[/ch]                   [ch]Edim[/ch]      [ch]Cdim[/ch]\r\nhey would[/tab]\r\n        [ch]Bb[/ch]                   [ch]Edim[/ch]      [ch]Cdim[/ch]\r\nThey'll stone ya whe             [ch]F[/ch]                    [ch]Fdim[/ch]  [ch]Edim[/ch]   [ch]F[/ch]\r\n            Fdi      [ch]C7[/ch]\r\n[tab] [ch]F[/ch]                   [ch]F[/ch]         [ch]Fdim[/ch] [ch]Edim[/ch] [ch]F[/ch] \r\nThen they'll stone ya [/tab]\r\n[tab]a-lone[/tab]\r\n      [ch]C7[/ch]\r\nBut I would not feel so a[ch]F[/ch][ch]Fdim[/ch]one\r\n[tab][ch]F[/ch]         [ch]Fdim[/ch] [ch]Edim[/ch] [ch]F[/ch]\r\nEverybody must get  stoned.[/tab]\r\n\r\n2. Song: Pleding My Time\r\n\r\n[Verse]\r\n[tab]                   [ch]A[/ch]\r\nWell, early in the morning[/tab]\r\n\r\n'Til late at night,\r\n[tab]               [ch]D[/ch]\r\nI got a poison headache,[/tab]\r\n\r\nBut I feel all right.\r\n[tab]                [ch]A[/ch]        [ch]E[/ch]\r\nI'm pledging my time to you,[/tab]\r\n[tab]                            [ch]A[/ch]    [ch]D[/ch]  [ch]A[/ch]  [ch]E[/ch]\r\nHopin' you'll come through, too.[/tab]\r\nWell, the hobo jumped up,\r\nHe came down naturally.\r\nAfter he stole my baby,\r\nThen he wanted to steal me.\r\nBut I'm pledging my time to you,\r\nHopin' you'll come through, too.\r\nWon't you come with me, baby?\r\nI'll take you where you wanna go.\r\nAnd if it don't work out,\r\nYou'll be the first to know.\r\nI'm pledging my time to you,\r\nHopin' you'll come through, too.\r\nWell, the room is so stuffy,\r\nI can hardly breathe.\r\nEv'rybody's gone but me and you\r\nAnd I can't be the last to leave.\r\nI'm pledging my time to you,\r\nHopin' you'll come through, too.\r\nWell, they sent for the ambulance\r\nAnd one was sent.\r\nSomebody got lucky\r\nBut it was an accident.\r\nNow I'm pledging my time to you,\r\nHoping you'll come through, too.\r\n\r\n3. Song: Visions Of Johanna\r\n\r\nCapo: 2nd fret\r\n\r\n[Intro]\r\n[ch]G[/ch] [ch]Gsus4[/ch] (2x) (This is also played between the verses)\r\n\r\n[Verse]\r\n[tab]         [ch]G[/ch]                           [ch]C[/ch]                  [ch]D[/ch]\r\nAint it just like the night, to play tricks when you're trying to be so[/tab]\r\n[tab][ch]G[/ch]      [ch]Gsus4[/ch]   [ch]G[/ch]\r\nquiet.[/tab]\r\n[tab]                                   [ch]C[/ch]             [ch]D[/ch]         [ch]G[/ch]      [ch]Gsus4[/ch]  [ch]G[/ch]\r\nWe sit here stranded, though we're all doing our best to deny it.[/tab]\r\n[tab]    [ch]D[/ch]                                                  [ch]G[/ch]       [ch]Gsus4[/ch]  [ch]G[/ch]\r\nAnd Louise, holds a handful of rain, tempting you to defy it.[/tab]\r\n[tab]        [ch]C[/ch]                          [ch]G[/ch]\r\nLights flicker, from the opposite loft.[/tab]\r\n[tab]    [ch]C[/ch]                              [ch]G[/ch]\r\nIn this room, the heat pipes just cough.[/tab]\r\n[tab]    [ch]C[/ch]                            [ch]G[/ch]\r\nThe country music station, plays soft but there's nothing, really nothing[/tab]\r\n[tab]         [ch]D[/ch]    [ch]Dsus4[/ch]  [ch]D[/ch]  [ch]Dsus2[/ch] [ch]D[/ch]\r\nto turn off.[/tab]\r\n[tab]     [ch]G[/ch]               [ch]C[/ch]     [ch]D[/ch]     [ch]G[/ch]      [ch]Gsus4[/ch] [ch]G[/ch]\r\nJust Louise, and her lover so intwined.[/tab]\r\n[tab]          [ch]C[/ch]             [ch]G[/ch]          [ch]D[/ch]            [ch]G[/ch]    [ch]Gsus4[/ch]\r\nAnd these visions, of Johanna have conquered my mind.[/tab]\r\nIn the empty lot where the ladies play\r\nblindman's bluff with the key chain\r\nAnd the all-night girls\r\nthey whisper of escapades out on the D-train\r\nWe can hear the night watchman click his flashlight\r\nAsk himself if it's him or them that's insane\r\nLouise, she's all right, she's just near\r\nShe's delicate and seems like the mirror\r\nBut she just makes it all too concise and too clear\r\nThat Johanna's not here\r\nThe ghost of electricity howls in the bones of her face\r\nWhere these visions of Johanna\r\nhave now taken my place\r\nNow, a little boy lost,\r\nhe takes himself so seriously\r\nHe brags of his misery,\r\nhe likes to live dangerously\r\nAnd when bringing her name up\r\nHe speaks of a farewell kiss to me\r\nHe's sure got a lotta gall\r\nto be so useless and all\r\nMuttering small talk at the wall\r\nwhile I'm in the hall\r\nHow can I explain?\r\nOh, it's so hard to get on\r\nAnd these visions of Johanna,\r\nthey kept me up past the dawn\r\nInside the museums,\r\nInfinity goes up on trial\r\nVoices echo this is what\r\nsalvation must be like after a while\r\nBut Mona Lisa musta had the highway blues\r\nYou can tell by the way she smiles\r\nSee the primitive wallflower freeze\r\nWhen the jelly-faced women all sneeze\r\nHear the one with the mustache say, \"Jeeze\r\nI can't find my knees\"\r\nOh, jewels and binoculars hang from the head of the mule\r\nBut these visions of Johanna,\r\nthey make it all seem so cruel\r\nThe peddler now speaks\r\nto the countess who's pretending to care for him\r\nSayin', \"Name me someone that's not a parasite\r\nand I'll go out and say a prayer for him\"\r\nBut like Louise always says\r\n\"Ya can't look at much, can ya man?\"\r\nAs she, herself, prepares for him\r\nAnd Madonna, she still has not showed\r\nWe see this empty cage now corrode\r\nWhere her cape of the stage once had flowed\r\nThe fiddler, he now steps to the road\r\nHe writes ev'rything's been returned which was owed\r\nOn the back of the fish truck that loads\r\nWhile my conscience explodes\r\nThe harmonicas play the skeleton keys and the rain\r\nAnd these visions of Johanna\r\nare now all that remain\r\n\r\n4. Song: One Of Us Must Know(Sooner Or Later)\r\nCapo: 5\r\n\r\n[Verse]\r\n  [ch]C[/ch]                        [ch]F[/ch]  [ch]C[/ch]\r\n[tab]I didn'[ch]F[/ch]             [ch]C[/ch]          [ch]G[/ch]\r\nF             C          G[/tab]\r\nYou sho  [ch]C[/ch]                       [ch]F[/ch]  [ch]C[/ch]\r\n[tab]      [ch]F[/ch]        [ch]C[/ch]           [ch]G[/ch]\r\ndidn't mean to make you so sad[/tab]\r\nF        C           G\r\nYou just happened to be there, that's all\r\n[tab][ch]Am[/ch]                                   [ch]Em[/ch]\r\nWhen I saw you say \"goodbye\" to your friend and smile[/tab]\r\n[tab][ch]Dm[/ch]                         [ch]C[/ch]\r\nI thought that it was well understood[/tab]\r\n[tab][ch]Am[/ch]                             [ch]Em[/ch]\r\nThat you'd be comin' back in a little while[/tab]\r\n[tab][ch]Dm[/ch]                                      [ch]F[/ch]             [ch]G[/ch]\r\nI didn't know that you were sayin' \"goodbye\" for good[/tab]\r\n[tab]     [ch]C[/ch]         [ch]G[/ch]      [ch]F[/ch]              [ch]C[/ch]\r\nBut, sooner or later, one of us must know[/tab]\r\n[tab][ch]F[/ch]             [ch]C[/ch]                  [ch]G[/ch]\r\nThat you just did what you're supposed to do[/tab]\r\n[tab][ch]C[/ch]         [ch]G[/ch]      [ch]F[/ch]              [ch]C[/ch]\r\nSooner or later, one of us must know[/tab]\r\n[tab][ch]F[/ch]             [ch]C[/ch]              [ch]G[/ch]\r\nThat I really did try to get close to you[/tab]\r\n\r\n[Chorus 1]\r\nI couldn't see what you could show me\r\nYour scarf had kept your mouth well hid\r\nI couldn't see how you could know me\r\nBut you said you knew me and I believed you did\r\nWhen you whispered in my ear\r\nAnd asked me if I was leavin' with you or her\r\nI didn't realize just what I did hear\r\nI didn't realize how young you were\r\nBut, sooner or later, one of us must know\r\nYou just did what you're supposed to do\r\nSooner or later, one of us must know\r\nThat I really did try to get close to you\r\n\r\n[Chorus 2]\r\nI couldn't see when it started snowin'\r\nYour voice was all that I heard\r\nI couldn't see where we were goin'\r\nBut you said you knew an' I took your word\r\nAnd then you told me later, as I apologized\r\nThat you were just kiddin' me, you weren't really from the farm\r\nAn' I told you, as you clawed out my eyes\r\nThat I never really meant to do you any harm\r\nBut, sooner or later, one of us must know\r\nYou just did what you're supposed to do\r\nSooner or later, one of us must know\r\nThat I really did try to get close to you\r\n\r\n5. Song: I Want You\r\nCapo: 5\r\n\r\n(There are two guitars in this song. The \"3rd\" guitar is actually the organ. In the \r\nthe Lead and the Organ play the same. The \"F\" of the rhytm- guitar must be played as a bar \r\nand the E minor must be played with the \"B\" as bass note to empathize the descending bass line of the song.)\r\n\r\n[tab][Intro]\r\n(Leadguitar/Organ)\r\ne|0-0-1p0---0-|0-0-1p0---0-|0-0-1p0-----|------------|\r\nB|--------3---|--------3---|--------3--1|3-1p0-------|\r\nG|------------|------------|------------|------2p0---|\r\nD|------------|------------|------------|------------|\r\nA|------------|------------|------------|------------|\r\nE|------------|------------|------------|------------|[/tab]\r\n\r\n(Rhythm) \r\n[ch]C[/ch]            [ch]Em/B[/ch]         [ch]Am[/ch]           [ch]G[/ch]\r\n\r\n[tab][Verse]\r\n(The Lead guitar guitar plays the intro until the F chord. Then it plays)\r\n  F            G            Am           G\r\ne|------------|------------|0-0-1p0-----|-----------|\r\nB|1-1-0-1-0---|3-3-1-3-1-0-|--------3-1-|-3-1p0-----|\r\nG|----------2-|------------|------------|-------2p0-|\r\nD|------------|------------|------------|-----------|\r\nA|------------|------------|------------|-----------|\r\nE|------------|------------|------------|-----------|[/tab]\r\n\r\n    [ch]C[/ch]\r\n[tab]The guilty undertake    [ch]Em/B[/ch]\r\n    Em/B[/tab]\r\nThe lonesome org    [ch]Am[/ch]                               [ch]G[/ch]\r\n[tab]                [ch]G[/ch] [ch]F[/ch]\r\nThe silver     [/tab]\r\nones say I should refuse you.\r\n[tab]    [ch]F[/ch]\r\nThe cracked bells and[/tab]\r\n[tab]    [ch]G[/ch]\r\nashed-out horns[/tab]\r\n[tab][ch]G[/ch]\r\nBlow into my face with scorn,[/tab]\r\n[tab][ch]Am[/ch]       [ch]Am[/ch]\r\nBut it's not that way,[/tab]\r\n[tab]                 [ch]G[/ch]\r\nI wasn't born to lose you.[/tab]\r\n\r\n[Chorus]\r\n(Leadguitar and Organ play the intro)\r\n[tab] [ch]C[/ch]           [ch]Em/B[/ch]\r\nI want you, I want you,[/tab]\r\n[tab]  [ch]Am[/ch]          [ch]G[/ch]\r\nI want you so bad,[/tab]\r\n[tab]         [ch]C[/ch]\r\nHoney, I want you.[/tab]\r\n\r\n(Middle Eight)\r\n\r\n[tab] [ch]Em/B[/ch]\r\nNow all my fathers, they've gone down[/tab]\r\n[tab]     [ch]Am[/ch]\r\nTrue love they've been without it.[/tab]\r\n[tab]    [ch]Em/B[/ch]\r\nBut all their daughters put me down[/tab]\r\n[tab][ch]F[/ch]              [ch]G[/ch]       \r\n'Cause I don't think about it.[/tab]\r\n\r\n6. Song: Stuck Inside Of Mobile With The Memphis Blues Again\r\nCapo: 4th fret\r\n\r\n(The \"F\" should again be played as a bar chord. This is important since Dylans\r\nGuitar isn't very prominent in his \"Rock\"songs. You will most likely hear the\r\ndeeper tones of his guitar with lots of bass strings but not the higher tones\r\n- they are covered by the electric lead guitar or/and the organ. If you want\r\nto play the songs as close as possible to the original versions then I recco-\r\nmend to empathize the deeper strings.)\r\n\r\n[Intro]\r\n[ch]C[/ch] [ch]Csus4[/ch] (4x)\r\n\r\n[Verse]\r\n[tab]        [ch]C[/ch]            [ch]Am[/ch]\r\nOh, the ragman draws circles[/tab]\r\n[tab][ch]C[/ch]                   [ch]Am[/ch]\r\nUp and down the block.[/tab]\r\n[tab]    [ch]C[/ch]                [ch]Am[/ch]\r\nI'd ask him what the matter was[/tab]\r\n[tab]      [ch]F[/ch]                  [ch]G[/ch]\r\nBut I know that he don't talk.[/tab]\r\n[tab]        [ch]F[/ch]               [ch]C[/ch]\r\nAnd the ladies treat me kindly[/tab]\r\n[tab]    [ch]Am[/ch]              [ch]C[/ch]\r\nAnd furnish me with tape,[/tab]\r\n[tab]    [ch]Am[/ch]             [ch]C[/ch]\r\nBut deep inside my heart[/tab]\r\n[tab]  [ch]F[/ch]             [ch]C[/ch]\r\nI know I can't escape.[/tab]\r\n[tab][ch]Em[/ch]\r\nOh, Mama, can this really be the end,[/tab]\r\n[tab]      [ch]C[/ch]       [ch]G[/ch]       [ch]F[/ch]\r\nTo be stuck inside of Mobile[/tab]\r\n[tab][ch]C[/ch]        [ch]G[/ch]             [ch]C[/ch]\r\nWith the Memphis blues again.[/tab]\r\nWell, Shakespeare, he's in the alley\r\nWith his pointed shoes and his bells,\r\nSpeaking to some French girl,\r\nWho says she knows me well.\r\nAnd I would send a message\r\nTo find out if she's talked,\r\nBut the post office has been stolen\r\nAnd the mailbox is locked.\r\nOh, Mama, can this really be the end,\r\nTo be stuck inside of Mobile\r\nWith the Memphis blues again.\r\nMona tried to tell me\r\nTo stay away from the train line.\r\nShe said that all the railroad men\r\nJust drink up your blood like wine.\r\nAn' I said, \"Oh, I didn't know that,\r\nBut then again, there's only one I've met\r\nAn' he just smoked my eyelids\r\nAn' punched my cigarette.\"\r\nOh, Mama, can this really be the end,\r\nTo be stuck inside of Mobile\r\nWith the Memphis blues again.\r\nGrandpa died last week\r\nAnd now he's buried in the rocks,\r\nBut everybody still talks about\r\nHow badly they were shocked.\r\nBut me, I expected it to happen,\r\nI knew he'd lost control\r\nWhen he built a fire on Main Street\r\nAnd shot it full of holes.\r\nOh, Mama, can this really be the end,\r\nTo be stuck inside of Mobile\r\nWith the Memphis blues again.\r\nNow the senator came down here\r\nShowing ev'ryone his gun,\r\nHanding out free tickets\r\nTo the wedding of his son.\r\nAn' me, I nearly got busted\r\nAn' wouldn't it be my luck\r\nTo get caught without a ticket\r\nAnd be discovered beneath a truck.\r\nOh, Mama, can this really be the end,\r\nTo be stuck inside of Mobile\r\nWith the Memphis blues again.\r\nNow the preacher looked so baffled\r\nWhen I asked him why he dressed\r\nWith twenty pounds of headlines\r\nStapled to his chest.\r\nBut he cursed me when I proved it to him,\r\nThen I whispered, \"Not even you can hide.\r\nYou see, you're just like me,\r\nI hope you're satisfied.\"\r\nOh, Mama, can this really be the end,\r\nTo be stuck inside of Mobile\r\nWith the Memphis blues again.\r\nNow the rainman gave me two cures,\r\nThen he said, \"Jump right in.\"\r\nThe one was Texas medicine,\r\nThe other was just railroad gin.\r\nAn' like a fool I mixed them\r\nAn' it strangled up my mind,\r\nAn' now people just get uglier\r\nAn' I have no sense of time.\r\nOh, Mama, can this really be the end,\r\nTo be stuck inside of Mobile\r\nWith the Memphis blues again.\r\nWhen Ruthie says come see her\r\nIn her honky-tonk lagoon,\r\nWhere I can watch her waltz for free\r\n'Neath her Panamanian moon.\r\nAnd I say, \"Aw come on now,\r\nYou must know about my debutante.\"\r\nAnd she says, \"Your debutante just knows what you need\r\nBut I know what you want.\"\r\nOh, Mama, can this really be the end,\r\nTo be stuck inside of Mobile\r\nWith the Memphis blues again.\r\nNow the bricks lay on Grand Street\r\nWhere the neon madmen climb.\r\nThey all fall there so perfectly,\r\nIt all seems so well timed.\r\nAnd here I sit so patiently\r\nWaiting to find out what price\r\nYou have to pay to get out of\r\nGoing through all these things twice.\r\nOh, Mama, can this really be the end,\r\nTo be stuck inside of Mobile\r\nWith the Memphis blues again.\r\n\r\n7. Song: Leopard-Skin Pill-Box Hat\r\n\r\n(Easy. Just play the Chords with the standard blues pattern and use the \"Riff\" tabbed below)\r\n\r\n[tab][Riff 1]\r\ne|---9-----8-----7---|-5-5--|\r\nB|-------------------|------|\r\nG|-9---9-8---8-7---7-|-6-6--|\r\nD|-------------------|------|\r\nA|-------------------|------|\r\nE|-------------------|------|[/tab]\r\n\r\n(The Chords are played like this (in shuffle style of course))\r\n\r\n[tab]A: D |2-2-4-4-5-5-4-4|\r\n   A |0-0-0-0-0-0-0-0|[/tab]\r\n\r\n[tab]D: G |2-2-4-4-5-5-4-4|\r\n   D |0-0-0-0-0-0-0-0|[/tab]\r\n\r\n[tab]E: D |2-2-4-4-5-5-4-4|\r\n   E |0-0-0-0-0-0-0-0|[/tab]\r\n\r\n(Use these patterns for all chords)\r\n\r\n[Intro]\r\n[ch]A[[ch]A[/ch] [ch]D[/ch] [ch]A[/ch]\r\n[ch]A[/ch] [ch]E[/ch]\r\n\r\n[Riff 1]\r\n[tab]       [ch]A[/ch]                [ch]D[/ch]                               [ch]A[/ch]\r\nWell, I see you got your brand new leopard-skin pill-box hat[/tab]\r\n[tab]       [ch]D[/ch]                                                [ch]A[/ch]\r\nYes, I see you got your brand new leopard-skin pill-box hat[/tab]\r\n[tab]               [ch]E[/ch]\r\nWell, you must tell me, baby[/tab]\r\n[tab]                                         [ch]A[/ch]\r\nHow your head feels under somethin' like that[/tab]\r\n\r\n[Riff 1]\r\n(Under your brand new leopard-skin pill-box hat)\r\nWell, you look so pretty in it\r\nHoney, can I jump on it sometime?\r\nYes, I just wanna see\r\nIf it's really the expensive kind\r\nYou know it balances on your head\r\nJust like a mattress balances\r\nOn a bottle of wine\r\nYour brand new leopard-skin pill-box hat\r\nWell, if you wanna see the sun rise\r\nHoney, I know where\r\nWe'll go out and see it sometime\r\nWe'll both just sit there and stare\r\nMe with my belt\r\nWrapped around my head\r\nAnd you just sittin' there\r\nIn your brand new leopard-skin pill-box hat\r\nWell, I asked the doctor if I could see you\r\nIt's bad for your health, he said\r\nYes, I disobeyed his orders\r\nI came to see you\r\nBut I found him there instead\r\nYou know, I don't mind him cheatin' on me\r\nBut I sure wish he'd take that off his head\r\nYour brand new leopard-skin pill-box hat\r\nWell, I see you got a new boyfriend\r\nYou know, I never seen him before\r\nWell, I saw him\r\nMakin' love to you\r\nYou forgot to close the garage door\r\nYou might think he loves you for your money\r\nBut I know what he really loves you for\r\nIt's your brand new leopard-skin pill-box hat\r\n\r\n8. Song: Just Like A Woman\r\nCapo: 4th fret\r\n\r\n[Verse]\r\n[tab]  [ch]C[/ch]    [ch]F[/ch]     [ch]G[/ch]   [ch]C[/ch]\r\nNobody feels any pain[/tab]\r\n[tab]  [ch]C[/ch]          [ch]F[/ch]       [ch]G[/ch]        [ch]C[/ch]\r\nTonight as I stand inside the rain[/tab]\r\n[tab][ch]F[/ch]         [ch]G[/ch]\r\nEv'rybody knows[/tab]\r\n[tab]     [ch]F[/ch]              [ch]G[/ch]\r\nThat Baby's got new clothes[/tab]\r\n[tab]    [ch]F[/ch]   [ch]Em[/ch]   [ch]Dm[/ch] [ch]C[/ch]       [ch]G[/ch]\r\nBut lately   I  see her ribbons and her bows[/tab]\r\n[tab]     [ch]Am[/ch]     [ch]C[/ch]    [ch]F[/ch]   [ch]Gsus4[/ch] [ch]G[/ch] [ch]Gsus2[/ch] [ch]G[/ch]\r\nHave fallen from her curls.[/tab]\r\n[tab]    [ch]C[/ch]     [ch]Em[/ch]   [ch]Dm[/ch]     [ch]F[/ch]\r\nShe takes just like a woman, yes she does,[/tab]\r\n[tab]    [ch]C[/ch]          [ch]Em[/ch]   [ch]Dm[/ch]     [ch]F[/ch]\r\nshe makes love just like a woman, yes she does,[/tab]\r\n[tab]        [ch]C[/ch]     [ch]Em[/ch]   [ch]Dm[/ch]     [ch]F[/ch]\r\nAnd she aches just like a woman,[/tab]\r\n[tab]        [ch]Gsus4[/ch]  [ch]G[/ch]    [ch]Gsus2[/ch]  [ch]G[/ch]      [ch]C[/ch]\r\nbut she breaks just like a little girl.[/tab]\r\nQueen Mary, she's my friend\r\nYes, I believe I'll go see her again\r\nNobody has to guess\r\nThat Baby can't be blessed\r\nTill she sees finally that she's like all the rest\r\nWith her fog, with her amphetamine and her pearls.\r\nShe takes just like a woman,\r\nAnd she makes love just like a woman,\r\nAnd she aches just like a woman\r\nBut she breaks just like a little girl.\r\n[tab]       [ch]E[/ch]\r\nIt was raining from the first[/tab]\r\nAnd I was dying there of thirst\r\n[tab]     [ch]C[/ch]            [ch]Csus4[/ch] [ch]C[/ch]\r\nSo I came in here[/tab]\r\n[tab]         [ch]E[/ch]\r\nAnd your long-time curse hurts[/tab]\r\nBut what's worse\r\n[tab]        [ch]F[/ch]\r\nIs this pain in here[/tab]\r\n[tab][ch]Gsus4[/ch]   [ch]G[/ch]       [ch]Gsus2[/ch]  [ch]G[/ch]\r\nI can't stay in here[/tab]\r\n[tab][ch]Gsus4[/ch]  [ch]G[/ch]       [ch]Gsus2[/ch]   [ch]G[/ch]\r\nAin't it clear that[/tab]\r\n[tab][ch]C[/ch] [ch]F[/ch]    [ch]G[/ch]     [ch]C[/ch]\r\nI just don't fit[/tab]\r\nYes, I believe it's time for us to quit\r\nAnd when we meet again\r\nIntroduced as friends\r\nPlease don't let on that you knew me when\r\nI was hungry and it was your world.\r\nYou take just like a woman,\r\nAnd you make love just like a woman\r\nAnd you ache just like a woman,\r\nBut you break just like a little girl.\r\n\r\n9. Song: Most Likely You Go Your Way (And I'll Go Mine)\r\n\r\n[tab][Riff 1]\r\ne|--------------|\r\nB|--------------|\r\nG|0-3-0-3-0-3-0-|\r\nD|--------------|\r\nA|--------------|\r\nE|--------------|[/tab]\r\n\r\n(That's the Trumpet/Harmonica  part. It's played between the verses, in the solo and in the Intro/Outro)\r\n\r\n[Verse]\r\n[tab][ch]Am[/ch]\r\nYou say you love me[/tab]\r\nAnd you're thinking of me,\r\n[tab]                          [ch]G[/ch]\r\nBut you know you could be wrong.[/tab]\r\n[tab][ch]Am[/ch]\r\nYou say you told me[/tab]\r\nThat you wanna hold me,\r\n[tab]                             [ch]G[/ch]\r\nBut you know you're not that strong.[/tab]\r\n[tab][ch]Bm[/ch]\r\nI just can't do what I done before,[/tab]\r\n[tab][ch]Am[/ch]\r\nI just can't beg you any more.[/tab]\r\n[tab]          [ch]G[/ch]\r\nI'm gonna let you pass[/tab]\r\n[tab]    [ch]D[/ch]\r\nAnd I'll go last.[/tab]\r\n[tab]     [ch]G[/ch]         [ch]Bm[/ch]     [ch]C[/ch]     [ch]G[/ch]\r\nThen time will tell just who has fell[/tab]\r\n[tab]    [ch]Am[/ch]        [ch]D[/ch]\r\nAnd who's been left behind,[/tab]\r\n[tab]N.C.                          [ch]G[/ch]\r\nWhen you go your way and I go mine.[/tab]\r\nYou say you disturb me\r\nAnd you don't deserve me,\r\nBut you know sometimes you lie.\r\nYou say you're shakin'\r\nAnd you're always achin',\r\nBut you know how hard you try.\r\nSometimes it gets so hard to care,\r\nIt can't be this way ev'rywhere.\r\nAnd I'm gonna let you pass,\r\nYes, and I'll go last.\r\nThen time will tell just who has fell\r\nAnd who's been left behind,\r\nWhen you go your way and I go mine.\r\n[tab]    [ch]Em[/ch]\r\nThe judge, he holds a grudge,[/tab]\r\n[tab]           [ch]D[/ch]\r\nHe's gonna call on you.[/tab]\r\n[tab]         [ch]Em[/ch]\r\nBut he's badly built[/tab]\r\nAnd he walks on stilts,\r\n[tab]                    [ch]D[/ch]           [ch]Dsus4[/ch]\r\natch out he don't fall on you.[/tab]\r\nYou say you're sorry\r\nFor tellin' stories\r\nThat you know I believe are true.\r\nYou say ya got some\r\nOther kinda lover\r\nAnd yes, I believe you do.\r\nYou say my kisses are not like his,\r\nBut this time I'm not gonna tell you why that is.\r\nI'm just gonna let you pass,\r\nYes, and I'll go last.\r\nThen time will tell who fell\r\nAnd who's been left behind,\r\nWhen you go your way and I go mine.\r\n\r\n10. Song: Temporary Like Achilles\r\n\r\n[tab][Riff 1]\r\ne|-3------3-----3-----3---|-3-----2---2-------------|\r\nB|-0----3---3-2---2-1---1-|-0-----1---1-------------|\r\nG|-0----------------------|-------2---2-------------|\r\nD|-0----------------------|-------0---0-------------|\r\nA|-2----------------------|-------------------------|\r\nE|-3----------------------|-------------------------|[/tab]\r\n\r\n(This is the Riff that finishes all verses)\r\n\r\n[Verse]\r\n[tab][ch]G[/ch]\r\nStanding on your window, honey,[/tab]\r\n[ch]C[/ch]              [ch]D7[/ch]      [ch]G[/ch]\r\nY[ch]G[/ch]\r\n[tab]    [ch]C[/ch]               [ch]D7[/ch]      [ch]G[/ch]\r\ng so harmless,[/tab]\r\n    [ch]C[/ch]               [ch]D7[/ch]      [ch]G[/ch]                                                     \r\n[tab]How come you    [ch]G[/ch]                [ch]D7[/ch]\r\ns?[/tab]\r\n[tab]    [ch]G[/ch]                [ch]D7[/ch]\r\nYou know I want your lovin',[/tab]\r\n[tab]                      [ch]G[/ch]    \r\nHoney, why are you so hard?[/tab]\r\nKneeling 'neath your ceiling,\r\nYes, I guess I'll be here for a while.\r\nI'm tryin' to read your portrait, but,\r\nI'm helpless, like a rich man's child.\r\nHow come you send someone out to have me barred?\r\nYou know I want your lovin',\r\nHoney, why are you so hard?\r\n[tab]       [ch]Em[/ch]\r\nLike a poor fool in his prime,[/tab]\r\n[tab]                    [ch]Bm[/ch]\r\nYes, I know you can hear me walk,[/tab]\r\n[tab]            [ch]Em[/ch]\r\nBut is your heart made out of stone, or is it lime,[/tab]\r\n[tab][ch]Bm[/ch]              [ch]D7[/ch]         [ch]D7sus4[/ch]\r\n  Or is it just solid rock?[/tab]\r\nWell, I rush into your hallway,\r\nLean against your velvet door.\r\nI watch upon your scorpion\r\nWho crawls across your circus floor.\r\nJust what do you think you have to guard?\r\nYou know I want your lovin',\r\nHoney, but you're so hard.\r\n'chilles is in your alleyway,\r\nHe don't want me here,\r\nHe does brag.\r\nHe's pointing to the sky\r\nAnd he's hungry, like a man in drag.\r\nHow come you get someone like him to be your guard?\r\nYou know I want your lovin',\r\nHoney but you're so hard.\r\n\r\n11. Song: Absolutely Sweet Marie\r\n\r\n[tab](Here's the Organ part, it can also be played on the guitar)\r\ne|-----2---1-2---3-|-----2---1-2-----|\r\nB|-----3---2-3---3-|-----3---2-3-----|\r\nG|-----2---1-2---4-|-----2---1-1-----|\r\nD|-----------------|-----------------|\r\nA|-----------------|-----------------|\r\nE|-----------------|-----------------|[/tab]\r\n\r\n[Verse]\r\n[tab]           [ch]D[/ch]                  [ch]G[/ch]      [ch]A[/ch]          [ch]D[/ch]\r\nWell, your railroad gate, you know I just can't jump it[/tab]\r\n[tab][ch]G[/ch]            [ch]D[/ch]                 [ch]A[/ch]\r\nSometimes it gets so hard, you see[/tab]\r\n[tab]         [ch]D[/ch]            [ch]G[/ch]       [ch]A[/ch]     [ch]D[/ch]       [ch]Bm[/ch]\r\nI'm just sitting here beating on my trumpet[/tab]\r\n[tab]     [ch]F#m[/ch]                    [ch]D[/ch]        [ch]A[/ch]\r\nWith all these promises you left for me[/tab]\r\n[tab]    [ch]G[/ch]               [ch]A[/ch]              [ch]D[/ch]\r\nBut where are you tonight, sweet Marie?[/tab]\r\nWell, I waited for you when I was half sick\r\nYes, I waited for you when you hated me\r\nWell, I waited for you inside of the frozen traffic\r\nWhen you knew I had some other place to be\r\nNow, where are you tonight, sweet Marie?\r\n[tab]      [ch]Bb[/ch]\r\nWell, anybody can be[/tab]\r\n[tab]          [ch]D[/ch]\r\njust like me, obviously[/tab]\r\n[tab]    [ch]Bb[/ch]\r\nBut then, now again,[/tab]\r\n[tab]                         [ch]D[/ch]             [ch]A[/ch]\r\nnot too many can be like you, fortunately.[/tab]\r\nWell, six white horses that you did promise\r\nWere fin'lly delivered down to the penitentiary\r\nBut to live outside the law, you must be honest\r\nI know you always say that you agree\r\nBut where are you tonight, sweet Marie?\r\nWell, I don't know how it happened\r\nBut the river-boat captain, he knows my fate\r\nBut ev'rybody else, even yourself\r\nThey're just gonna have to wait.\r\nWell, I got the fever down in my pockets\r\nThe Persian drunkard, he follows me\r\nYes, I can take him to your house but I can't unlock it\r\nYou see, you forgot to leave me with the key\r\nOh, where are you tonight, sweet Marie?\r\nNow, I been in jail when all my mail showed\r\nThat a man can't give his address out to bad company\r\nAnd now I stand here lookin' at your yellow railroad\r\nIn the ruins of your balcony\r\nWond'ring where you are tonight, sweet Marie.\r\n\r\n12. Song: 4th Time Around\r\nCapo: 4th \r\n\r\n[Verse]\r\n[tab][ch]C[/ch]    [ch]Csus4[/ch]               [ch]C[/ch]\r\nWhen she said,\"Don't waste[/tab]\r\n[tab]     [ch]Csus4[/ch]                  [ch]C[/ch]\r\nyour words, they're just lies,\"[/tab]\r\n[tab]  [ch]Csus4[/ch]            [ch]C[/ch]        [ch]Csus4[/ch]   [ch]C[/ch]   [ch]Csus4[/ch]\r\nI cried she was deaf.[/tab]\r\n[tab]    [ch]C[/ch]   [ch]Csus4[/ch]           [ch]C[/ch]\r\nAnd she worked on my face[/tab]\r\n[tab]      [ch]Csus4[/ch]          [ch]C[/ch]\r\nuntil breaking my eyes,[/tab]\r\n[tab]           [ch]Csus4[/ch]                  [ch]C[/ch]     [ch]Csus4[/ch]   [ch]C[/ch]  [ch]Csus4[/ch]\r\nThen said, \"What else you got left?\"[/tab]\r\n[tab]       [ch]Em[/ch]\r\nIt was then that I got up to leave[/tab]\r\n[tab]                        [ch]Dm[/ch]\r\nBut she said, \"Don't forget,[/tab]\r\n[tab]     [ch]C[/ch]         [ch]Csus4[/ch]              [ch]C[/ch]\r\nEverybody must give something back[/tab]\r\n[tab]    [ch]Csus4[/ch]             [ch]C[/ch]       [ch]Csus4[/ch]  [ch]C[/ch]  [ch]Csus4[/ch]\r\nFor something they get.\"[/tab]\r\nI stood there and hummed,\r\nI tapped on her drum and asked her how come.\r\nAnd she buttoned her boot,\r\nAnd straightened her suit,\r\nThen she said, \"Don't get cute.\"\r\nSo I forced my hands in my pockets\r\nAnd felt with my thumbs,\r\nAnd gallantly handed her\r\nMy very last piece of gum.\r\nShe threw me outside,\r\nI stood in the dirt where ev'ryone walked.\r\nAnd after finding I'd\r\nForgotten my shirt,\r\nI went back and knocked.\r\nI waited in the hallway, she went to get it,\r\nAnd I tried to make sense\r\nOut of that picture of you in your wheelchair\r\nThat leaned up against\r\nHer Jamaican rum\r\nAnd when she did come, I asked her for some.\r\nShe said, \"No, dear.\"\r\nI said, \"Your words aren't clear,\r\nYou'd better spit out your gum.\"\r\nShe screamed till her face got so red\r\nThen she fell on the floor,\r\nAnd I covered her up and then\r\nThought I'd go look through her drawer.\r\nAnd, when I was through\r\nI filled up my shoe\r\nAnd brought it to you.\r\nAnd you, you took me in,\r\nYou loved me then\r\nYou didn't waste time.\r\nAnd I, I never took much,\r\nI never asked for your crutch.\r\nNow don't ask for mine.\r\n\r\n[tab](That's the Leadguitar during the C - Csus4 progression)\r\ne|--------7-----9--7--|---------9------10--9--|\r\nB|-----9-----9--------|-----10-----10---------|\r\nG|--9-----------------|--9--------------------|\r\nD|--------------------|-----------------------|\r\nA|--------------------|-----------------------|\r\nE|--------------------|-----------------------|[/tab]\r\n\r\n[tab](And this is during the Em - Dm progression:)\r\ne|--------9--7---------|\r\nB|-----9--------10--9--|\r\nG|--8------------------|\r\nD|---------------------|\r\nA|---------------------|\r\nE|---------------------|     (played four times during Em)[/tab]\r\n\r\n[tab]e|---------9--7--------|\r\nB|--7--10-------10--9--|\r\nG|---------------------|\r\nD|---------------------|\r\nA|---------------------|\r\nE|---------------------|     (played four times durin Dm)[/tab]\r\n\r\n\r\n13. Song: Obviously 5  Believers\r\n\r\n[tab][Riff 1]\r\ne|----------------------|\r\nB|----------------------|\r\nG|----------------------|\r\nD|----0-2-0-------------|\r\nA|0h2-------2-----------|\r\nE|-------------5p3-0----|[/tab]\r\n\r\n[Chorus]\r\n[tab][ch]A[/ch]\r\nEarly in the mornin', early in the mornin'[/tab]\r\n[tab]            [ch]D[/ch]\r\nI'm callin' you to, I'm callin' you to[/tab]\r\n[tab]            [ch]A[/ch]\r\nPlease come home[/tab]\r\n[tab]                     [ch]E[/ch]\r\nYes, I guess I could make it without you[/tab]\r\n[tab]     [ch]D[/ch]                         [ch]A[/ch]         (\"Riff 1\" two times)\r\nIf I just didn't feel so all a-lone[/tab]\r\n\r\n[Verse]\r\nDon't let me down\r\nDon't let me down\r\nI won't let you down\r\nI won't let you down\r\nNo I won't\r\nYou know I can if you can, honey\r\nBut, honey, please don't\r\nI got my black dog barkin'\r\nBlack dog barkin'\r\nYes it is now\r\nYes it is now\r\nOutside my yard\r\nYes, I could tell you what he means\r\nIf I just didn't have to try so hard\r\nYour mama's workin'\r\nYour mama's moanin'\r\nShe's cryin' you know\r\nShe's tryin' you know\r\nYou better go now\r\nWell, I'd tell you what she wants\r\nBut I just don't know how\r\nFifteen jugglers\r\nFifteen jugglers\r\nFive believers\r\nFive believers\r\nAll dressed like men\r\nTell yo' mama not to worry because\r\nThey're just my friends\r\n\r\n[Chorus]\r\n[tab][ch]A[/ch]\r\nEarly in the mornin', early in the mornin'[/tab]\r\n[tab]            [ch]D[/ch]\r\nI'm callin' you to, I'm callin' you to[/tab]\r\n[tab]            [ch]A[/ch]\r\nPlease come home[/tab]\r\n[tab]                     [ch]E[/ch]\r\nYes, I guess I could make it without you[/tab]\r\n[tab]     [ch]D[/ch]                         [ch]A[/ch]         (\"Riff 1\" two times)\r\nIf I just didn't feel so all a-lone[/tab]\r\n\r\n14. Song: Sad-Eyed Lady Of The Lowlands\r\nCapo: 2nd fret\r\n\r\n[Verse]\r\n[tab]          [ch]C[/ch]       [ch]G[/ch]            [ch]F[/ch]          [ch]G[/ch]\r\nWith your mercury mouth in the missionary times,[/tab]\r\n[tab]         [ch]C[/ch]         [ch]G[/ch]         [ch]F[/ch]            [ch]G[/ch]\r\nAnd your eyes like smoke and your prayers like rhymes,[/tab]\r\n[tab]         [ch]F[/ch]      [ch]C[/ch]               [ch]Dm[/ch]    [ch]G[/ch]    [ch]C[/ch]\r\nAnd your silver cross, and your voice like chimes,[/tab]\r\n[tab]    [ch]C[/ch]           [ch]Dm[/ch]          [ch]Gsus4[/ch] [ch]G[/ch] [ch]Gsus2[/ch] [ch]G[/ch]\r\nOh, who do they think could bury you?[/tab]\r\n[tab]          [ch]C[/ch]       [ch]G[/ch]    [ch]F[/ch]             [ch]G[/ch]\r\nWith your pockets well protected at last,[/tab]\r\n[tab]         [ch]C[/ch]         [ch]G[/ch]                 [ch]F[/ch]            [ch]G[/ch]\r\nAnd your streetcar visions which you place on the grass,[/tab]\r\n[tab]         [ch]F[/ch]           [ch]C[/ch]             [ch]Dm[/ch]    [ch]G[/ch]   [ch]C[/ch]\r\nAnd your flesh like silk, and your face like glass,[/tab]\r\n[tab][ch]C[/ch]              [ch]Dm[/ch]     [ch]Gsus4[/ch] [ch]G[/ch] [ch]Gsus2[/ch] [ch]G[/ch]\r\nwho could they get to carry you?[/tab]\r\n[tab][ch]Dm[/ch]                    [ch]C[/ch]  [ch]G[/ch]\r\nSad-eyed lady of the lowlands,[/tab]\r\n[tab][ch]Dm[/ch]                                   [ch]C[/ch]      [ch]G[/ch]\r\nWhere the sad-eyed prophet says that no man comes,[/tab]\r\n[tab]    [ch]C[/ch]  [ch]G[/ch]     [ch]F[/ch]     [ch]C[/ch]   [ch]F[/ch]   [ch]C[/ch]  [ch]G[/ch]\r\nMy warehouse eyes, my Arabian drums,[/tab]\r\n[tab][ch]Dm[/ch]                         [ch]Gsus4[/ch] [ch]G[/ch] [ch]Gsus2[/ch] [ch]G[/ch]\r\nShould I put them by your gate,[/tab]\r\n[tab][ch]Dm[/ch]                          [ch]C[/ch]\r\nOr, sad-eyed lady, should I wait?[/tab]\r\nWith your sheets like metal and your belt like lace,\r\nAnd your deck of cards missing the jack and the ace,\r\nAnd your basement clothes and your hollow face,\r\nWho among them can think he could outguess you?\r\nWith your silhouette when the sunlight dims\r\nInto your eyes where the moonlight swims,\r\nAnd your match-book songs and your gypsy hymns,\r\nWho among them would try to impress you?\r\nSad-eyed lady of the lowlands,\r\nWhere the sad-eyed prophet says that no man comes,\r\nMy warehouse eyes, my Arabian drums,\r\nShould I leave them by your gate,\r\nOr, sad-eyed lady, should I wait?\r\nThe kings of Tyrus with their convict list\r\nAre waiting in line for their geranium kiss,\r\nAnd you wouldn't know it would happen like this,\r\nBut who among them really wants just to kiss you?\r\nWith your childhood flames on your midnight rug,\r\nAnd your Spanish manners and your mother's drugs,\r\nAnd your cowboy mouth and your curfew plugs,\r\nWho among them do you think could resist you?\r\nSad-eyed lady of the lowlands,\r\nWhere the sad-eyed prophet says that no man comes,\r\nMy warehouse eyes, my Arabian drums,\r\nShould I leave them by your gate,\r\nOr, sad-eyed lady, should I wait?\r\nOh, the farmers and the businessmen, they all did decide\r\nTo show you the dead angels that they used to hide.\r\nBut why did they pick you to sympathize with their side?\r\nOh, how could they ever mistake you?\r\nThey wished you'd accepted the blame for the farm,\r\nBut with the sea at your feet and the phony false alarm,\r\nAnd with the child of a hoodlum wrapped up in your arms,\r\nHow could they ever, ever persuade you?\r\nSad-eyed lady of the lowlands,\r\nWhere the sad-eyed prophet says that no man comes,\r\nMy warehouse eyes, my Arabian drums,\r\nShould I leave them by your gate,\r\nOr, sad-eyed lady, should I wait?\r\nWith your sheet-metal memory of Cannery Row,\r\nAnd your magazine-husband who one day just had to go,\r\nAnd your gentleness now, which you just can't help but show,\r\nWho among them do you think would employ you?\r\nNow you stand with your thief, you're on his parole\r\nWith your holy medallion which your fingertips fold,\r\nAnd your saintlike face and your ghostlike soul,\r\nOh, who among them do you think could destroy you\r\nSad-eyed lady of the lowlands,\r\nWhere the sad-eyed prophet says that no man comes,\r\nMy warehouse eyes, my Arabian drums,\r\nShould I leave them by your gate,\r\nOr, sad-eyed lady, should I wait?[VerseB","plain_text":"Artist: Bob Dylan \nBlonde On Blonde\n\nSongs:\n1. Rainy Day Women #12&35\n2. Pledging My Time\n3. Visions Of Johanna\n4. One Of Us Must Know (Sooner Or Later)\n5. I Want You\n6. Stuck Inside Of Mobile With The Memphis Blues Again\n7. Leopard-Skin Pill-Box Hat\n8. Just Like A Woman\n9. Most Likely Yoy Go Your Way (And I'll Go Mine)\n10. Temporary Like Achilles\n11. Absolutely Sweet Marie\n12. 4th Time Around\n13. Obviously 5 Believers\n14. Sad-Eyed Lady Of The Lowlands\n\n*All words and music by Bob Dylan\n\n1. Song: Rainy Day Women #12&35\n\n[Chorus] (x2)\n\n                       Fdim      Edim      F\n\n        Bb                   Edim      Cdim\nThey'll stone ya whe             F                    Fdim  Edim   F\n            Fdi      C7\n\n\n      C7\nBut I would not feel so aFFdimone\n\n\n[Verse] \nThey'll stone ya when you're at the breakfast table.\nThey'll stone ya when you are young and able.\nThey'll stone ya when you're tryin' to make a buck.\nThey'll stone ya and then they'll say, \"good luck.\"\nTell ya what, I would not feel so all alone,\nEverybody must get stoned.\n\n[Chorus] (x2)\n\n                       Fdim      Edim      F\n\n        Bb                   Edim      Cdim\nThey'll stone ya whe             F                    Fdim  Edim   F\n            Fdi      C7\n\n\n      C7\nBut I would not feel so aFFdimone\n\n\n2. Song: Pleding My Time\n\n[Verse]\n\n\n'Til late at night,\n\n\nBut I feel all right.\n\n\nWell, the hobo jumped up,\nHe came down naturally.\nAfter he stole my baby,\nThen he wanted to steal me.\nBut I'm pledging my time to you,\nHopin' you'll come through, too.\nWon't you come with me, baby?\nI'll take you where you wanna go.\nAnd if it don't work out,\nYou'll be the first to know.\nI'm pledging my time to you,\nHopin' you'll come through, too.\nWell, the room is so stuffy,\nI can hardly breathe.\nEv'rybody's gone but me and you\nAnd I can't be the last to leave.\nI'm pledging my time to you,\nHopin' you'll come through, too.\nWell, they sent for the ambulance\nAnd one was sent.\nSomebody got lucky\nBut it was an accident.\nNow I'm pledging my time to you,\nHoping you'll come through, too.\n\n3. Song: Visions Of Johanna\n\nCapo: 2nd fret\n\n[Intro]\nG Gsus4 (2x) (This is also played between the verses)\n\n[Verse]\n\n\n\n\n\n\n\n\n\n\nIn the empty lot where the ladies play\nblindman's bluff with the key chain\nAnd the all-night girls\nthey whisper of escapades out on the D-train\nWe can hear the night watchman click his flashlight\nAsk himself if it's him or them that's insane\nLouise, she's all right, she's just near\nShe's delicate and seems like the mirror\nBut she just makes it all too concise and too clear\nThat Johanna's not here\nThe ghost of electricity howls in the bones of her face\nWhere these visions of Johanna\nhave now taken my place\nNow, a little boy lost,\nhe takes himself so seriously\nHe brags of his misery,\nhe likes to live dangerously\nAnd when bringing her name up\nHe speaks of a farewell kiss to me\nHe's sure got a lotta gall\nto be so useless and all\nMuttering small talk at the wall\nwhile I'm in the hall\nHow can I explain?\nOh, it's so hard to get on\nAnd these visions of Johanna,\nthey kept me up past the dawn\nInside the museums,\nInfinity goes up on trial\nVoices echo this is what\nsalvation must be like after a while\nBut Mona Lisa musta had the highway blues\nYou can tell by the way she smiles\nSee the primitive wallflower freeze\nWhen the jelly-faced women all sneeze\nHear the one with the mustache say, \"Jeeze\nI can't find my knees\"\nOh, jewels and binoculars hang from the head of the mule\nBut these visions of Johanna,\nthey make it all seem so cruel\nThe peddler now speaks\nto the countess who's pretending to care for him\nSayin', \"Name me someone that's not a parasite\nand I'll go out and say a prayer for him\"\nBut like Louise always says\n\"Ya can't look at much, can ya man?\"\nAs she, herself, prepares for him\nAnd Madonna, she still has not showed\nWe see this empty cage now corrode\nWhere her cape of the stage once had flowed\nThe fiddler, he now steps to the road\nHe writes ev'rything's been returned which was owed\nOn the back of the fish truck that loads\nWhile my conscience explodes\nThe harmonicas play the skeleton keys and the rain\nAnd these visions of Johanna\nare now all that remain\n\n4. Song: One Of Us Must Know(Sooner Or Later)\nCapo: 5\n\n[Verse]\n  C                        F  C\n\nYou sho  C                       F  C\n\nF        C           G\nYou just happened to be there, that's all\n\n\n\n\n\n\n\n\n\n[Chorus 1]\nI couldn't see what you could show me\nYour scarf had kept your mouth well hid\nI couldn't see how you could know me\nBut you said you knew me and I believed you did\nWhen you whispered in my ear\nAnd asked me if I was leavin' with you or her\nI didn't realize just what I did hear\nI didn't realize how young you were\nBut, sooner or later, one of us must know\nYou just did what you're supposed to do\nSooner or later, one of us must know\nThat I really did try to get close to you\n\n[Chorus 2]\nI couldn't see when it started snowin'\nYour voice was all that I heard\nI couldn't see where we were goin'\nBut you said you knew an' I took your word\nAnd then you told me later, as I apologized\nThat you were just kiddin' me, you weren't really from the farm\nAn' I told you, as you clawed out my eyes\nThat I never really meant to do you any harm\nBut, sooner or later, one of us must know\nYou just did what you're supposed to do\nSooner or later, one of us must know\nThat I really did try to get close to you\n\n5. Song: I Want You\nCapo: 5\n\n(There are two guitars in this song. The \"3rd\" guitar is actually the organ. In the \nthe Lead and the Organ play the same. The \"F\" of the rhytm- guitar must be played as a bar \nand the E minor must be played with the \"B\" as bass note to empathize the descending bass line of the song.)\n\n\n\n(Rhythm) \nC            Em/B         Am           G\n\n\n\n    C\n\nThe lonesome org    Am                               G\n\nones say I should refuse you.\n\n\n\n\n\n\n[Chorus]\n(Leadguitar and Organ play the intro)\n\n\n\n\n(Middle Eight)\n\n\n\n\n\n\n6. Song: Stuck Inside Of Mobile With The Memphis Blues Again\nCapo: 4th fret\n\n(The \"F\" should again be played as a bar chord. This is important since Dylans\nGuitar isn't very prominent in his \"Rock\"songs. You will most likely hear the\ndeeper tones of his guitar with lots of bass strings but not the higher tones\n- they are covered by the electric lead guitar or/and the organ. If you want\nto play the songs as close as possible to the original versions then I recco-\nmend to empathize the deeper strings.)\n\n[Intro]\nC Csus4 (4x)\n\n[Verse]\n\n\n\n\n\n\n\n\n\n\n\nWell, Shakespeare, he's in the alley\nWith his pointed shoes and his bells,\nSpeaking to some French girl,\nWho says she knows me well.\nAnd I would send a message\nTo find out if she's talked,\nBut the post office has been stolen\nAnd the mailbox is locked.\nOh, Mama, can this really be the end,\nTo be stuck inside of Mobile\nWith the Memphis blues again.\nMona tried to tell me\nTo stay away from the train line.\nShe said that all the railroad men\nJust drink up your blood like wine.\nAn' I said, \"Oh, I didn't know that,\nBut then again, there's only one I've met\nAn' he just smoked my eyelids\nAn' punched my cigarette.\"\nOh, Mama, can this really be the end,\nTo be stuck inside of Mobile\nWith the Memphis blues again.\nGrandpa died last week\nAnd now he's buried in the rocks,\nBut everybody still talks about\nHow badly they were shocked.\nBut me, I expected it to happen,\nI knew he'd lost control\nWhen he built a fire on Main Street\nAnd shot it full of holes.\nOh, Mama, can this really be the end,\nTo be stuck inside of Mobile\nWith the Memphis blues again.\nNow the senator came down here\nShowing ev'ryone his gun,\nHanding out free tickets\nTo the wedding of his son.\nAn' me, I nearly got busted\nAn' wouldn't it be my luck\nTo get caught without a ticket\nAnd be discovered beneath a truck.\nOh, Mama, can this really be the end,\nTo be stuck inside of Mobile\nWith the Memphis blues again.\nNow the preacher looked so baffled\nWhen I asked him why he dressed\nWith twenty pounds of headlines\nStapled to his chest.\nBut he cursed me when I proved it to him,\nThen I whispered, \"Not even you can hide.\nYou see, you're just like me,\nI hope you're satisfied.\"\nOh, Mama, can this really be the end,\nTo be stuck inside of Mobile\nWith the Memphis blues again.\nNow the rainman gave me two cures,\nThen he said, \"Jump right in.\"\nThe one was Texas medicine,\nThe other was just railroad gin.\nAn' like a fool I mixed them\nAn' it strangled up my mind,\nAn' now people just get uglier\nAn' I have no sense of time.\nOh, Mama, can this really be the end,\nTo be stuck inside of Mobile\nWith the Memphis blues again.\nWhen Ruthie says come see her\nIn her honky-tonk lagoon,\nWhere I can watch her waltz for free\n'Neath her Panamanian moon.\nAnd I say, \"Aw come on now,\nYou must know about my debutante.\"\nAnd she says, \"Your debutante just knows what you need\nBut I know what you want.\"\nOh, Mama, can this really be the end,\nTo be stuck inside of Mobile\nWith the Memphis blues again.\nNow the bricks lay on Grand Street\nWhere the neon madmen climb.\nThey all fall there so perfectly,\nIt all seems so well timed.\nAnd here I sit so patiently\nWaiting to find out what price\nYou have to pay to get out of\nGoing through all these things twice.\nOh, Mama, can this really be the end,\nTo be stuck inside of Mobile\nWith the Memphis blues again.\n\n7. Song: Leopard-Skin Pill-Box Hat\n\n(Easy. Just play the Chords with the standard blues pattern and use the \"Riff\" tabbed below)\n\n\n\n(The Chords are played like this (in shuffle style of course))\n\n\n\n\n\n\n\n(Use these patterns for all chords)\n\n[Intro]\n[ch]A[A D A\nA E\n\n[Riff 1]\n\n\n\n\n\n[Riff 1]\n(Under your brand new leopard-skin pill-box hat)\nWell, you look so pretty in it\nHoney, can I jump on it sometime?\nYes, I just wanna see\nIf it's really the expensive kind\nYou know it balances on your head\nJust like a mattress balances\nOn a bottle of wine\nYour brand new leopard-skin pill-box hat\nWell, if you wanna see the sun rise\nHoney, I know where\nWe'll go out and see it sometime\nWe'll both just sit there and stare\nMe with my belt\nWrapped around my head\nAnd you just sittin' there\nIn your brand new leopard-skin pill-box hat\nWell, I asked the doctor if I could see you\nIt's bad for your health, he said\nYes, I disobeyed his orders\nI came to see you\nBut I found him there instead\nYou know, I don't mind him cheatin' on me\nBut I sure wish he'd take that off his head\nYour brand new leopard-skin pill-box hat\nWell, I see you got a new boyfriend\nYou know, I never seen him before\nWell, I saw him\nMakin' love to you\nYou forgot to close the garage door\nYou might think he loves you for your money\nBut I know what he really loves you for\nIt's your brand new leopard-skin pill-box hat\n\n8. Song: Just Like A Woman\nCapo: 4th fret\n\n[Verse]\n\n\n\n\n\n\n\n\n\n\nQueen Mary, she's my friend\nYes, I believe I'll go see her again\nNobody has to guess\nThat Baby can't be blessed\nTill she sees finally that she's like all the rest\nWith her fog, with her amphetamine and her pearls.\nShe takes just like a woman,\nAnd she makes love just like a woman,\nAnd she aches just like a woman\nBut she breaks just like a little girl.\n\nAnd I was dying there of thirst\n\n\nBut what's worse\n\n\n\n\nYes, I believe it's time for us to quit\nAnd when we meet again\nIntroduced as friends\nPlease don't let on that you knew me when\nI was hungry and it was your world.\nYou take just like a woman,\nAnd you make love just like a woman\nAnd you ache just like a woman,\nBut you break just like a little girl.\n\n9. Song: Most Likely You Go Your Way (And I'll Go Mine)\n\n\n\n(That's the Trumpet/Harmonica  part. It's played between the verses, in the solo and in the Intro/Outro)\n\n[Verse]\n\nAnd you're thinking of me,\n\n\nThat you wanna hold me,\n\n\n\n\n\n\n\n\nYou say you disturb me\nAnd you don't deserve me,\nBut you know sometimes you lie.\nYou say you're shakin'\nAnd you're always achin',\nBut you know how hard you try.\nSometimes it gets so hard to care,\nIt can't be this way ev'rywhere.\nAnd I'm gonna let you pass,\nYes, and I'll go last.\nThen time will tell just who has fell\nAnd who's been left behind,\nWhen you go your way and I go mine.\n\n\n\nAnd he walks on stilts,\n\nYou say you're sorry\nFor tellin' stories\nThat you know I believe are true.\nYou say ya got some\nOther kinda lover\nAnd yes, I believe you do.\nYou say my kisses are not like his,\nBut this time I'm not gonna tell you why that is.\nI'm just gonna let you pass,\nYes, and I'll go last.\nThen time will tell who fell\nAnd who's been left behind,\nWhen you go your way and I go mine.\n\n10. Song: Temporary Like Achilles\n\n\n\n(This is the Riff that finishes all verses)\n\n[Verse]\n\nC              D7      G\nYG\n\n    C               D7      G                                                     \n\n\n\nKneeling 'neath your ceiling,\nYes, I guess I'll be here for a while.\nI'm tryin' to read your portrait, but,\nI'm helpless, like a rich man's child.\nHow come you send someone out to have me barred?\nYou know I want your lovin',\nHoney, why are you so hard?\n\n\n\n\nWell, I rush into your hallway,\nLean against your velvet door.\nI watch upon your scorpion\nWho crawls across your circus floor.\nJust what do you think you have to guard?\nYou know I want your lovin',\nHoney, but you're so hard.\n'chilles is in your alleyway,\nHe don't want me here,\nHe does brag.\nHe's pointing to the sky\nAnd he's hungry, like a man in drag.\nHow come you get someone like him to be your guard?\nYou know I want your lovin',\nHoney but you're so hard.\n\n11. Song: Absolutely Sweet Marie\n\n\n\n[Verse]\n\n\n\n\n\nWell, I waited for you when I was half sick\nYes, I waited for you when you hated me\nWell, I waited for you inside of the frozen traffic\nWhen you knew I had some other place to be\nNow, where are you tonight, sweet Marie?\n\n\n\n\nWell, six white horses that you did promise\nWere fin'lly delivered down to the penitentiary\nBut to live outside the law, you must be honest\nI know you always say that you agree\nBut where are you tonight, sweet Marie?\nWell, I don't know how it happened\nBut the river-boat captain, he knows my fate\nBut ev'rybody else, even yourself\nThey're just gonna have to wait.\nWell, I got the fever down in my pockets\nThe Persian drunkard, he follows me\nYes, I can take him to your house but I can't unlock it\nYou see, you forgot to leave me with the key\nOh, where are you tonight, sweet Marie?\nNow, I been in jail when all my mail showed\nThat a man can't give his address out to bad company\nAnd now I stand here lookin' at your yellow railroad\nIn the ruins of your balcony\nWond'ring where you are tonight, sweet Marie.\n\n12. Song: 4th Time Around\nCapo: 4th \n\n[Verse]\n\n\n\n\n\n\n\n\n\n\nI stood there and hummed,\nI tapped on her drum and asked her how come.\nAnd she buttoned her boot,\nAnd straightened her suit,\nThen she said, \"Don't get cute.\"\nSo I forced my hands in my pockets\nAnd felt with my thumbs,\nAnd gallantly handed her\nMy very last piece of gum.\nShe threw me outside,\nI stood in the dirt where ev'ryone walked.\nAnd after finding I'd\nForgotten my shirt,\nI went back and knocked.\nI waited in the hallway, she went to get it,\nAnd I tried to make sense\nOut of that picture of you in your wheelchair\nThat leaned up against\nHer Jamaican rum\nAnd when she did come, I asked her for some.\nShe said, \"No, dear.\"\nI said, \"Your words aren't clear,\nYou'd better spit out your gum.\"\nShe screamed till her face got so red\nThen she fell on the floor,\nAnd I covered her up and then\nThought I'd go look through her drawer.\nAnd, when I was through\nI filled up my shoe\nAnd brought it to you.\nAnd you, you took me in,\nYou loved me then\nYou didn't waste time.\nAnd I, I never took much,\nI never asked for your crutch.\nNow don't ask for mine.\n\n\n\n\n\n\n\n\n13. Song: Obviously 5  Believers\n\n\n\n[Chorus]\n\n\n\n\n\n\n[Verse]\nDon't let me down\nDon't let me down\nI won't let you down\nI won't let you down\nNo I won't\nYou know I can if you can, honey\nBut, honey, please don't\nI got my black dog barkin'\nBlack dog barkin'\nYes it is now\nYes it is now\nOutside my yard\nYes, I could tell you what he means\nIf I just didn't have to try so hard\nYour mama's workin'\nYour mama's moanin'\nShe's cryin' you know\nShe's tryin' you know\nYou better go now\nWell, I'd tell you what she wants\nBut I just don't know how\nFifteen jugglers\nFifteen jugglers\nFive believers\nFive believers\nAll dressed like men\nTell yo' mama not to worry because\nThey're just my friends\n\n[Chorus]\n\n\n\n\n\n\n14. Song: Sad-Eyed Lady Of The Lowlands\nCapo: 2nd fret\n\n[Verse]\n\n\n\n\n\n\n\n\n\n\n\n\n\nWith your sheets like metal and your belt like lace,\nAnd your deck of cards missing the jack and the ace,\nAnd your basement clothes and your hollow face,\nWho among them can think he could outguess you?\nWith your silhouette when the sunlight dims\nInto your eyes where the moonlight swims,\nAnd your match-book songs and your gypsy hymns,\nWho among them would try to impress you?\nSad-eyed lady of the lowlands,\nWhere the sad-eyed prophet says that no man comes,\nMy warehouse eyes, my Arabian drums,\nShould I leave them by your gate,\nOr, sad-eyed lady, should I wait?\nThe kings of Tyrus with their convict list\nAre waiting in line for their geranium kiss,\nAnd you wouldn't know it would happen like this,\nBut who among them really wants just to kiss you?\nWith your childhood flames on your midnight rug,\nAnd your Spanish manners and your mother's drugs,\nAnd your cowboy mouth and your curfew plugs,\nWho among them do you think could resist you?\nSad-eyed lady of the lowlands,\nWhere the sad-eyed prophet says that no man comes,\nMy warehouse eyes, my Arabian drums,\nShould I leave them by your gate,\nOr, sad-eyed lady, should I wait?\nOh, the farmers and the businessmen, they all did decide\nTo show you the dead angels that they used to hide.\nBut why did they pick you to sympathize with their side?\nOh, how could they ever mistake you?\nThey wished you'd accepted the blame for the farm,\nBut with the sea at your feet and the phony false alarm,\nAnd with the child of a hoodlum wrapped up in your arms,\nHow could they ever, ever persuade you?\nSad-eyed lady of the lowlands,\nWhere the sad-eyed prophet says that no man comes,\nMy warehouse eyes, my Arabian drums,\nShould I leave them by your gate,\nOr, sad-eyed lady, should I wait?\nWith your sheet-metal memory of Cannery Row,\nAnd your magazine-husband who one day just had to go,\nAnd your gentleness now, which you just can't help but show,\nWho among them do you think would employ you?\nNow you stand with your thief, you're on his parole\nWith your holy medallion which your fingertips fold,\nAnd your saintlike face and your ghostlike soul,\nOh, who among them do you think could destroy you\nSad-eyed lady of the lowlands,\nWhere the sad-eyed prophet says that no man comes,\nMy warehouse eyes, my Arabian drums,\nShould I leave them by your gate,\nOr, sad-eyed lady, should I wait?[VerseB","chords":["A","F","Fdim","Edim","Bb","Cdim","C7","D","E","G","Gsus4","C","Dsus4","Dsus2","Am","Em","Dm","B","Em/B","Csus4","Gsus2","Bm","D7","D7sus4"],"chord_diagrams":{"A":{"barres":[],"baseFret":1,"fingers":[0,0,1,2,3,0],"frets":[-1,0,2,2,2,0]},"Am":{"barres":[],"baseFret":1,"fingers":[0,0,2,3,1,0],"frets":[-1,0,2,2,1,0]},"Bm":{"barres":[2],"baseFret":1,"fingers":[0,1,3,4,2,1],"frets":[-1,2,4,4,3,2]},"C":{"barres":[],"baseFret":1,"fingers":[0,3,2,0,1,0],"frets":[0,3,2,0,1,0]},"C7":{"barres":[],"baseFret":1,"fingers":[0,3,2,4,1,0],"frets":[0,3,2,3,1,0]},"D":{"barres":[],"baseFret":1,"fingers":[0,0,0,1,3,2],"frets":[-1,-1,0,2,3,2]},"D7":{"barres":[],"baseFret":1,"fingers":[0,0,0,2,1,3],"frets":[-1,-1,0,2,1,2]},"D7sus4":{"barres":[],"baseFret":1,"fingers":[0,0,0,2,1,3],"frets":[-1,-1,0,2,1,3]},"Dm":{"barres":[],"baseFret":1,"fingers":[0,0,0,2,3,1],"frets":[-1,-1,0,2,3,1]},"Dsus2":{"barres":[],"baseFret":1,"fingers":[0,0,0,1,2,0],"frets":[-1,-1,0,2,3,0]},"Dsus4":{"barres":[],"baseFret":1,"fingers":[0,0,0,1,2,3],"frets":[-1,-1,0,2,3,3]},"E":{"barres":[],"baseFret":1,"fingers":[0,2,3,1,0,0],"frets":[0,2,2,1,0,0]},"Em":{"barres":[],"baseFret":1,"fingers":[0,2,3,0,0,0],"frets":[0,2,2,0,0,0]},"F":{"barres":[1],"baseFret":1,"fingers":[1,3,4,2,1,1],"frets":[1,3,3,2,1,1]},"G":{"barres":[],"baseFret":1,"fingers":[2,1,0,0,0,3],"frets":[3,2,0,0,0,3]}}}