{"source":"Free Chord Book","source_url":"https://www.free-chords.com","license_note":"Free for personal use. Lyrics and compositions © their respective songwriters and publishers.","tab_id":841273,"song":"Lazy Eye","artist":"Silversun Pickups","content_type":"chord","tab_type":"Chords","url":"https://www.free-chords.com/song/11599822-lazy-eye-chords-by-silversun-pickups/","api_url":"https://www.free-chords.com/api/v1/songs/841273?type=chord","rating":4.33921,"votes":10,"content":"[tab]LAZY EYE - Acoustic Chords (Alt. version for lone guitarists)\r\nSilversun Pickups\r\nStd. Tuning\r\n| Chord | Full (Roots) | Play Suggestions |\r\n| G#m/E | 0-11--x-13-12-11 | 0-11--x-13(12)-x | \r\n| F#m/E | 0--9--x-11-10--9 | 0--9--x-11(10)-x | \r\n| Am/E | 0-12--x-14-13-12 | 0-12--x-14(13)-x |\r\n| C#m | 9-11-11--9--9--9 | 9-11-11-(9--9)-x | \r\n| B | 7--9--9--8--7--7 | 7--9--9-(8--8)-x |\r\n| G#? | ??? | x-11--x--9--x--x |\r\n| E | 0--2--2--1--0--0 | 0--2--2--1-(0)-x |\r\n| E2 | x--7--x--9--9--7 | x--7--x--9-(9)-x |[/tab]\r\n\r\n[Main Riffs]\r\nRiff 1 is the same with a different F#m/E at start of 2nd measure. \r\nThe Am/E (Am) is the quick slide or bend to the A note (if playing only 2 strings) or shown\r\nhere as a slide to Am.\r\n* below = Double-time (repeat). Messes up the formatting to try to squish another chord in.\r\nBasically, all chords shown are downstrokes on 8 counts/measure, where there's an astericks\r\nbelow fit in a quick follow-up upstroke (usually only hitting the E and A strings). At the\r\nend of Riffs 1a-c, do this on the last 0-11 (or use 0-x) on E and A strings to make the record\r\nskipping sound, before connecting to a similar pass.\r\n\r\n[tab][Riff 1a] |----(1a)----|\r\n | 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |[/tab]\r\n[tab] [ch]G#m/E[/ch] [ch]F#m/E[/ch] [ch]G#m/E[/ch] (Am) \r\ne|---------(*)----------*--|---------(*)------------*| \r\nB|(12)--------(12)---------|(10----10-10-12-12/13\\12)| \r\nG|-13(13-13-13)13(13-13-13)|-11----11-11-13-13/14\\13-| \r\nD|-x--x--x--x--x--x--x--x--|-x-----x--x--x--x--x--x--| \r\nA|-11-11-11-11-11-11-11-11-|-9-----9--9--11-11/12\\11*| \r\nE|-0--0--0--0--0--0--0--0--|-0-----0--0--0--0-----0-0| [/tab]\r\n\r\n[tab][Riff 1b] |----(1b)----|[/tab]\r\n[tab] [ch]G#m/E[/ch] [ch]F#m/E[/ch] [ch]G#m/E[/ch] (Am) \r\ne|---------(*)----------*--|------------------------*| \r\nB|(12)--------(12)---------|---------(12-12-12/13\\12)| \r\nG|-13(13-13-13)13(13-13-13)|(11\\9-/11)13-13-13/14\\13-| \r\nD|-x--x--x--x--x--x--x--x--|-x--x--x--x--x--x--x--x--| \r\nA|-11-11-11-11-11-11-11-11-|-9-\\7-/9--11-11-11/12\\11*| \r\nE|-0--0--0--0--0--0--0--0--|-0--------0--0--0-----0-0| [/tab]\r\n\r\n[tab][Riff 1c] |----(1c)----|[/tab]\r\n[tab] [ch]G#m/E[/ch] [ch]F#m/E[/ch] [ch]G#m/E[/ch] (Am) \r\ne|---------(*)----------*--|------------------------*| \r\nB|(12)--------(12)---------|------------(12-12/13\\12)| \r\nG|-13(13-13-13)13(13-13-13)|---------(13)13-13/14\\13-| \r\nD|-x--x--x--x--x--x--x--x--|-9-h11p9--x--x--x--x--x--| \r\nA|-11-11-11-11-11-11-11-11-|(9)-------11-11-11/12\\11*| \r\nE|-0--0--0--0--0--0--0--0--|(0)-------0--0--0-----0-0| [/tab]\r\n\r\n[tab][Riff 2](varies in use, but this demonstrates the regular approach)\r\n | 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |\r\n [ch]C#m[/ch] [ch]B[/ch]\r\ne|---------(*)----------*--|---------(*)----------*--| \r\nB|(9~)--------(9)----------|(7~)--------(7)----------| \r\nG|-9~----------9-----------|-8~----------8-----------| \r\nD|-11(11-11-11)11(11-11-11)\\-9-(9--9--9)-9-(9--9--9)-| \r\nA|-11-11-11-11-11-11-11-11-\\-9--9--9--9--9--9--9--9--|\r\nE|-9--9--9--9--9--9--9--9--\\-7--7--7--7--7--7--7--7--|[/tab]\r\n\r\n[tab][Bass Riff](pretty much throughout, heard more towards middle and end)\r\n | 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |\r\nE|-0--0--0--0--0--0--0--0--|-7--7--7--0-----0--0--0--|\r\nOkay, now let's attack the song...[/tab]\r\n\r\n[INTRO]\r\n | 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |\r\n |G#m/E |F#m/E(1a) G#m/E (Am) | (x3) - w/ Riff 1a\r\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1) - w/ Riff 1b\r\n |C#m |B | (x1) - w/ Riff 2\r\n |G#m/E |F#m/E(1c) G#m/E (Am) | (x4) - w/ Riff 1c\r\n4) I've been...\r\n\r\n[VERSE 1]\r\n |G#m/E |F#m/E(1a) G#m/E (Am) | (x1) - w/ Riff 1a\r\n waiting... I've been \r\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1) - w/ Riff 1b\r\n waiting for this moment all... my... \r\n |C#m |B | (x1) - w/ Riff 2\r\n life... but it's not quite\r\n |G#m/E |F#m/E(1c) G#m/E (Am) | (x2) - w/ Riff 1c\r\n1)right.\r\n2) And this...\r\n\r\n[VERSE 2]\r\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x2)\r\n1)\"real\"... it's im- \r\n2)-possible, if possible at who's blind...\r\n[tab] |[ch]C#m[/ch] |[ch]B[/ch] | (x1) \r\n word... so clear but so un-(heard)[/tab]\r\n * start Solo 1:1 (over this pass and a half)\r\n |G#m/E |F#m/E(1c) G#m/E (Am) | (x2)\r\n1)-heard.\r\n\r\n[tab][SOLO 1]Part 1\r\ne|-------------------------|-------------------------|\r\nB|-------------------------|-------------------------|\r\nG|-------------------------|-------------------------|\r\nD|-------------------------|-14--14-12---------------|\r\nA|-------------------------|----------14p12h14p12\\11-|\r\nE|-------------------------|-------------------------|[/tab]\r\n\r\n[tab]e|-------------------------|-------------------------|\r\nB|-------------------------|-------------------------|\r\nG|-------------------------|-------------------------|\r\nD|-------9-----------9-----|-------------------------|\r\nA|-9-h11---11--9-h11---11--|-------------------------|\r\nE|-------------------------|-10/12\\10-7--------------|[/tab]\r\n\r\nThen...\r\n * play Solo 1:2 (over these 4 measures)\r\n |G#m/E |F#m/E(1a) G#m/E (Am) | (x1)\r\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1)\r\n I've been...\r\n[SOLO 1]Part 2 \r\n[tab]e|-------------------------|-------------------------|\r\nB|-------------------------|-------------------------|\r\nG|-------------------------|-11-11--13--13/14-11-----|\r\nD|-14-14-14-14-14-14-14-14-|-------------------------|\r\nA|-------------------------|-------------------------|\r\nE|-------------------------|-------------------------|[/tab]\r\n\r\n[tab]e|-------------------------|-------------------------|\r\nB|-------------------------|-------------------------|\r\nG|-------------------------|-11-11/13--11/9----------|\r\nD|-14-14-14-14-14-14-14-14-|-------------------------|\r\nA|-------------------------|-------------------------|\r\nE|-------------------------|-------------------------|\r\n (I've been...)\r\n[VERSE 3] [/tab]\r\n\r\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x2)\r\n1)waiting... I've been\r\n2)waiting for this silence all... night... \r\n\r\n[tab] |[ch]C#m[/ch] |[ch]B[/ch] | (x1)\r\n long... it's just a matter of[/tab]\r\n\r\n * play Solo 2 here (its short)\r\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1)\r\n time. To appear...\r\n\r\n[tab][SOLO 2]\r\ne|-------------------------|-------------------------|\r\nB|-------------------------|-------------------------|\r\nG|-------------------------|-------------------------|\r\nD|-------------------------|-14-14-------------------|\r\nA|-------------------------|------14\\12----(11/12\\11)|\r\nE|-------------------------|---------------(0--0--0-)|\r\n (To appear...)\r\n[VERSE 4][/tab]\r\n\r\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x2)\r\n1)sad... with this\r\n2)same ol' decent lazy eye fixed to rest on \r\n\r\n[tab] |[ch]C#m[/ch] |[ch]B[/ch] | (x1)\r\n you... aim free and so un-(true)[/tab]\r\n\r\n[tab][MIDDLE SECTION](NICE)\r\n(This is the \"dic-A-dant-dant, dic-A-dic-A-dant-dant\" part)\r\n G#? [ch]F#m[/ch] [ch]G#m[/ch] [ch]F#m[/ch] [ch]G#m[/ch] G#m-Am-F#m\r\ne|-------------------------|-------------------------|\r\nB|-------------------------|-------------------------|\r\nG|-9--9--x-x-11-11-11-x-x-/|-13--11--13--13-13/14\\11-| (x1)\r\nD|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x--x--| \r\nA|-11-11-x-x-9--9--9--x-x-/|-11--9---11--11-11/12\\9--|\r\nE|-------------------------|-------------------------|\r\n true.[/tab]\r\n\r\n[tab] G#? F#m G#m F#-E\r\ne|-------------------------|-------------------------|\r\nB|-------------------------|-------------------------|\r\nG|-9--9--x-x-11-11-11-x-x-/|-13--13--13--13-11\\9-----| (x1)\r\nD|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x-----| \r\nA|-11-11-x-x-9--9--9--x-x-/|-11--11--11--11-9-\\7-----|\r\nE|-------------------------|-------------------------|[/tab]\r\n\r\n[tab] G#? [ch]F#m[/ch] [ch]G#m[/ch] [ch]F#m[/ch] [ch]G#m[/ch] G#m-Am-F#m\r\ne|-------------------------|-------------------------|\r\nB|-------------------------|-------------------------|\r\nG|-9--9--x-x-11-11-11-x-x-/|-13--11--13--13-13/14\\11-| (x1)\r\nD|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x--x--| \r\nA|-11-11-x-x-9--9--9--x-x-/|-11--9---11--11-11/12\\9--|\r\nE|-------------------------|-------------------------|[/tab]\r\n\r\n[tab] G#? F#m G#m F#-E\r\ne|-------------------------|-------------------------|\r\nB|-------------------------|-------------------------|\r\nG|-9--9--x-x-11-11-11-x-x-/|-13-13-13-11\\9-----------| (x1)\r\nD|-x--x--x-x-x--x--x--x-x--|-x--x--x--x--x-----------| \r\nA|-11-11-x-x-9--9--9--x-x-/|-11-11-11-9-\\7-(11/12\\11)|\r\nE|-------------------------|---------------(0--0--0-)|\r\n Every-[/tab]\r\n\r\n[tab] |[ch]C#m[/ch] |[ch]B[/ch] | (x1)\r\n -one is so int-i-mately rearanged...[/tab]\r\n |G#m/E |F#m/E(1c) G#m/E (Am) | (x2)\r\n2) Every-\r\n\r\n[tab] |[ch]C#m[/ch] |[ch]B[/ch] | (x1)\r\n -one can fo-cus clearly with such[/tab]\r\n * Solo 3 played over the next 8 measures\r\n |G#m/E |F#m/E(1a) G#m/E (Am) | (x3)\r\n1)shine.\r\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1)\r\n Every-(one)\r\n\r\n[SOLO 3] \r\n(Sorry haven't worked out or confirmed yet - when I don't know the solos, I just play the \r\nRiff 1a-c's using full chords and it sounds awesome, though doesn't match cd. Try it out)\r\n\r\n[tab] |[ch]C#m[/ch] |[ch]B[/ch] | (x1)\r\n -one is so int-i-mately re--a--(ranged...)[/tab]\r\n |G#m/E |F#m/E(1a) G#m/E (Am) | (x1)\r\n -ranged...\r\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1)\r\n Every-\r\n[tab] |[ch]C#m[/ch] |[ch]B[/ch] | (x1)\r\n -one can fo-cus clearly with such[/tab]\r\n\r\n[tab][MIDDLE SECTION](ANGRY THEN SWEET)\r\n E | E | (E2, can be used here too) \r\n 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . | \r\ne|-------------------------|-------------------------| \r\nB|------(0)---------(0)----|------(0)---(0)---(0)----| (x4)\r\nG|-------1-----------1-----|-------1-----1-----1-----|\r\nD|-------2-----------2-----|-------2-----2-----2-----|\r\nA|-2-2-2-2-----2-2-2-2-----|-2-2-2-2-2-2-2-2-2-2-----|\r\nE|-0-0-0-------0-0-0-------|-0-0-0---0-0---0-0-------| \r\n1) shine!!! Lost and \r\n2) loaded!! Still the\r\n3) same ol' decent lazy eye straight thru your\r\n4) gaze!!!! That's why I said that I have to re-[/tab]\r\n\r\n[tab] |[ch]C#m[/ch] |[ch]B[/ch] | (x1)\r\n -late!!! I said it really, its so fun to re-[/tab]\r\n |G#m/E |F#m/E(1c) G#m/E (Am) | (x2)\r\n1)-late!\r\n2) It's the...\r\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x2)\r\n1)room, the sun, and the sk-y-y--y. It's the\r\n2)room, the sun, and the sky-----y.\r\n\r\n[SPACEY INTERLUDE SECTION](Adlib solos over repeated sets of Riff 1a, 1b, and 2)\r\n |C#m* |B* | (x1)\r\n* sometimes in this section the first C#m or B of Riff 2 is strummed and held through measure.\r\n \r\n[Solo 4][here, played over]\r\n[Background 1]\r\n |G#m/E |F#m/E(1a) G#m/E (Am) | (x1)\r\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1)\r\n\r\nOr \r\n\r\n[tab][Background 2]\r\nE|-0--0--0--0--0--0--0--0--|-7--7--7--0-----0--0--0--| (x2) - Bass Riff[/tab]\r\n\r\n[tab][SOLO 4](Alt. for phaser solo)\r\nD|-------------------------|-------------------------|\r\nA|-14-14-14-14-14-14-14-14-|-14-14-12-14-12-11-9--11-|\r\nE|-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|[/tab]\r\n\r\n[tab]G|-------------------------|-------------------------|\r\nD|-------9----------9h11---|-------------------------|\r\nA|-9-h11---11-9-h11------11|-------------------------|\r\nE|-0--0----0--0--0-------0-|-12-12-10-7--------------|[/tab]\r\n\r\nthen...\r\n |[ch]C#m[/ch] |[ch]B[/ch] | (x1)\r\n\r\ninto...\r\n[tab] | [ch]E2[/ch] | [ch]E2[/ch] | (x4) \r\n | 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . | [/tab]\r\n[tab]e|-------------------------|-------------------------| \r\nB|------(9)---------(9)----|------(9)---(9)---(9)----| (E, reg/open, can be used here too)\r\nG|-------9-----------9-----|-------9-----9-----9-----|\r\nD|-x-x-x-x-----x-x-x-x-----|-x-x-x-x-x-x-x-x-x-x-----|\r\nA|-7-7-7-7-----7-7-7-7-----|-7-7-7-7-7-7-7-7-7-7-----|\r\nE|-x-x-x-------x-x-x-------|-x-x-x---x-x---x-x-------| \r\nthen back to... [/tab]\r\n |[ch]C#m[/ch] |[ch]B[/ch] | (x1)\r\n\r\n[OUTRO](Back to familiarity to finish up...)\r\n |G#m/E |F#m/E(1c) G#m/E (Am) | (x4)\r\n4) I've been...\r\n\r\n |G#m/E |F#m/E(1a) G#m/E (Am) | (x3)\r\n1)waiting... I've been\r\n2)waiting for this moment...\r\n3)\r\n\r\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1)\r\n |G#m/E*| (*single hit of 1st beat only)\r\n\r\n************************************\r\n\r\n| x Dead note\r\n| (n) Ghost note\r\n| * Natural harmonic\r\n| / Slide up\r\n| \\ Slide down\r\n| h Hammer-on\r\n| p Pull-off\r\n| ~ Vibrato\r\n| . Staccato\r\n \r\n\r\n************************************","plain_text":"[Main Riffs]\nRiff 1 is the same with a different F#m/E at start of 2nd measure. \nThe Am/E (Am) is the quick slide or bend to the A note (if playing only 2 strings) or shown\nhere as a slide to Am.\n* below = Double-time (repeat). Messes up the formatting to try to squish another chord in.\nBasically, all chords shown are downstrokes on 8 counts/measure, where there's an astericks\nbelow fit in a quick follow-up upstroke (usually only hitting the E and A strings). At the\nend of Riffs 1a-c, do this on the last 0-11 (or use 0-x) on E and A strings to make the record\nskipping sound, before connecting to a similar pass.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n[INTRO]\n | 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |\n |G#m/E |F#m/E(1a) G#m/E (Am) | (x3) - w/ Riff 1a\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1) - w/ Riff 1b\n |C#m |B | (x1) - w/ Riff 2\n |G#m/E |F#m/E(1c) G#m/E (Am) | (x4) - w/ Riff 1c\n4) I've been...\n\n[VERSE 1]\n |G#m/E |F#m/E(1a) G#m/E (Am) | (x1) - w/ Riff 1a\n waiting... I've been \n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1) - w/ Riff 1b\n waiting for this moment all... my... \n |C#m |B | (x1) - w/ Riff 2\n life... but it's not quite\n |G#m/E |F#m/E(1c) G#m/E (Am) | (x2) - w/ Riff 1c\n1)right.\n2) And this...\n\n[VERSE 2]\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x2)\n1)\"real\"... it's im- \n2)-possible, if possible at who's blind...\n\n * start Solo 1:1 (over this pass and a half)\n |G#m/E |F#m/E(1c) G#m/E (Am) | (x2)\n1)-heard.\n\n\n\n\n\nThen...\n * play Solo 1:2 (over these 4 measures)\n |G#m/E |F#m/E(1a) G#m/E (Am) | (x1)\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1)\n I've been...\n[SOLO 1]Part 2 \n\n\n\n\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x2)\n1)waiting... I've been\n2)waiting for this silence all... night... \n\n\n\n * play Solo 2 here (its short)\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1)\n time. To appear...\n\n\n\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x2)\n1)sad... with this\n2)same ol' decent lazy eye fixed to rest on \n\n\n\n\n\n\n\n\n\n\n\n\n |G#m/E |F#m/E(1c) G#m/E (Am) | (x2)\n2) Every-\n\n\n * Solo 3 played over the next 8 measures\n |G#m/E |F#m/E(1a) G#m/E (Am) | (x3)\n1)shine.\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1)\n Every-(one)\n\n[SOLO 3] \n(Sorry haven't worked out or confirmed yet - when I don't know the solos, I just play the \nRiff 1a-c's using full chords and it sounds awesome, though doesn't match cd. Try it out)\n\n\n |G#m/E |F#m/E(1a) G#m/E (Am) | (x1)\n -ranged...\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1)\n Every-\n\n\n\n\n\n |G#m/E |F#m/E(1c) G#m/E (Am) | (x2)\n1)-late!\n2) It's the...\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x2)\n1)room, the sun, and the sk-y-y--y. It's the\n2)room, the sun, and the sky-----y.\n\n[SPACEY INTERLUDE SECTION](Adlib solos over repeated sets of Riff 1a, 1b, and 2)\n |C#m* |B* | (x1)\n* sometimes in this section the first C#m or B of Riff 2 is strummed and held through measure.\n \n[Solo 4][here, played over]\n[Background 1]\n |G#m/E |F#m/E(1a) G#m/E (Am) | (x1)\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1)\n\nOr \n\n\n\n\n\n\n\nthen...\n |C#m |B | (x1)\n\ninto...\n\n\n |C#m |B | (x1)\n\n[OUTRO](Back to familiarity to finish up...)\n |G#m/E |F#m/E(1c) G#m/E (Am) | (x4)\n4) I've been...\n\n |G#m/E |F#m/E(1a) G#m/E (Am) | (x3)\n1)waiting... I've been\n2)waiting for this moment...\n3)\n\n |G#m/E |F#m/E(1b) G#m/E (Am) | (x1)\n |G#m/E*| (*single hit of 1st beat only)\n\n************************************\n\n| x Dead note\n| (n) Ghost note\n| * Natural harmonic\n| / Slide up\n| \\ Slide down\n| h Hammer-on\n| p Pull-off\n| ~ Vibrato\n| . Staccato\n \n\n************************************","chords":["G#m/E","F#m/E","Am/E","C#m","B","G","E","Am","A","D","F#m","G#m","F","E2"],"chord_diagrams":{"B":{"barres":[2],"baseFret":1,"fingers":[0,1,2,3,4,1],"frets":[-1,2,4,4,4,2]}}}