{"source":"Free Chord Book","source_url":"https://www.free-chords.com","license_note":"Free for personal use. Lyrics and compositions © their respective songwriters and publishers.","tab_id":80379,"song":"Gold Sounds","artist":"Pavement","content_type":"chord","tab_type":"Chords","url":"https://www.free-chords.com/song/11548144-gold-sounds-chords-by-pavement/","api_url":"https://www.free-chords.com/api/v1/songs/80379?type=chord","rating":4.42668,"votes":7,"content":"#----------------------------------PLEASE NOTE---------------------------------#\r\n#------------------------------------------------------------------------------##\r\n#\r\n\r\nhello\r\n\r\nhere is a new tab that gary von collin was kind enough to send me.\r\nalso included is a pavement tuning spiel.\r\n\r\ni am looking for sonic youth tabs and minutemen tabs for my tab\r\narchives.\r\n\r\n\r\ntake care,\r\n\r\nmichael++++++++++++++++++++++++++++++++++++++++++++++++++++\r\n\r\n\r\nDate sent:        Thu, 25 Apr 96 17:58:14 EDT\r\n\r\n\r\n@Song: Gold Soundz\r\nWritten by Pavement\r\nRecorded by Pavement on album \"Crooked Rain, Crooked Rain\" (Matador)\r\nFile format: tab\r\nTranscription by Gary Von Colln\r\n\r\n\r\nHere's the basic chord progression.  The A-B-D progression is also\r\nused in the instrumental interlude.  If you don't want to bother with\r\nthe Dsus2 and Bsus2 just play D and B instead, it will still sound\r\ngood.\r\n\r\n****************************************************************************\r\n\r\n[tab][ch]A[/ch]\r\nGo back to those gold soundz[/tab]\r\n[tab]            [ch]B[/ch]             [ch]D[/ch]\r\nAnd keep my affect to yourself[/tab]\r\n[tab]             [ch]A[/ch]\r\nBecause it's nothing that I don't like[/tab]\r\n[tab]        [ch]B[/ch]                  [ch]D[/ch]\r\nIs it a crisis or a boring change[/tab]\r\n[tab]          [ch]A[/ch]\r\nWhen it's central, so essential[/tab]\r\n[tab]         [ch]B[/ch]                  [ch]D[/ch]\r\nIt has a nice ring when you laugh[/tab]\r\n[tab]       [ch]A[/ch]\r\nAt the low-life opinions[/tab]\r\n[tab]            [ch]B[/ch]                    [ch]D[/ch]\r\nAnd they're coming to the chorus now[/tab]\r\n\r\n[tab]          [ch]F#m[/ch]             [ch]Dsus2[/ch]\r\nI keep my address to yourself[/tab]\r\n[tab]              [ch]Bsus2[/ch]\r\nCause we need secrets[/tab]\r\n[tab]        [ch]Dsus2[/ch]\r\nWe need secret, cret, cret, cret, crets[/tab]\r\n[tab]           [ch]A[/ch]\r\nBack right now[/tab]\r\n\r\nBecause I never want to make you feel\r\nThat you're social,  never ignorant soul\r\nBelieve in what you want to do\r\nAnd do you think that is a major flaw\r\nWhen they rise up in the falling rain\r\nAnd if you stay around with your knuckles ground down\r\nThe trials over, the weapon's found\r\n\r\nKeep my address to myself\r\nCause it's secret\r\nCause it's secret, cret,\r\ncret,cret,cret,cret,cret,cret,cret,cret,cret,cret,\r\nBack right now\r\n\r\nSo drunk in the august sun\r\nAnd you're the kind of girl I like\r\nBecause you're empty, and I'm empty\r\nAnd you can never quarantine the past\r\nDid you remember in December\r\nThat I won't eat you when I'm gone\r\nAnd if I go there ,I won't stay there\r\nBecause I'm sitting here too long\r\nI've been sitting here too long\r\nAnd I've been wasting\r\nAllocating outward\r\nFor the last word\r\nLast words come up\r\nAll you've got to wait\r\n\r\n****************************************************************************\r\n\r\n[tab]Now for some \"Pavement chords\".  First retune your guitar to\r\nC-G-D-G-B-B (fat E string down 4 frets in pitch, A string down 2 frets\r\nin pitch, thin E sting down 5 frets in pitch).  Once you've retuned\r\nthese are the chord shapes:[/tab]\r\n\r\n[tab]     [ch]A[/ch]*      [ch]A[/ch]**       [ch]B[/ch]*      [ch]B[/ch]**    [ch]Bsus2[/ch]    [ch]D[/ch]*    [ch]D[/ch]**     [ch]Dsus2[/ch]\r\n[ch]F#m[/ch]\r\nB-|------------------------------------------------------------------------|\r\nB-|--2-------10--------4-------12-----4--------7-----15------7-------10----|\r\nG-|--2--------9--------4-------11-----6--------7-----14------9-------11----|\r\nD-|--2-------11--------4-------13-----4--------7-----16------7-------11----|\r\nG-|--2--------9--------4-------11-----4--------7-----14------7-------11----|\r\nC-|-----------9----------------11--------------------14--------------------|[/tab]\r\n\r\nThe *   or **   just indicates position, e.g. A*   is an A major,\r\nplayed in the first position (along the guitar neck), while A**   is\r\nalso A major but played in the second position.\r\n\r\nNote that the first string is not played in any of the above chords.\r\nSince the first and second strings are tuned the same, if you want,\r\nyou can fret the first string the same as the second and play it.\r\n\r\n>From listening to the recording, I think the two guitars play as\r\nfollows:\r\n\r\n[Verse]\r\n   guitar 1:  [ch]A[/ch]*    - [ch]B[/ch]*    - [ch]D[/ch]*  \r\n   guitar 2:  [ch]A[/ch]**   - [ch]A[/ch]**   - [ch]A[/ch]**  \r\n\r\nHere guitar 2 is playing the A**   the whole time.  Listen for those\r\nhigh notes on the record, especially during the first verse when\r\nguitar 1 is quit.\r\n\r\n[Chorus]\r\n   both: [ch]F#m[/ch] - [ch]Dsus2[/ch] - [ch]Bsus2[/ch] - [ch]Dsus2[/ch]\r\n\r\nintrumental interlude (roughly):\r\n   guitar 1: [ch]A[/ch]*    - [ch]B[/ch]*   - [ch]D[/ch]*  \r\n   guitar 2: [ch]A[/ch]**   - [ch]B[/ch]**   - [ch]D[/ch]**  \r\n\r\nThe interlude is pretty free form so this simple pattern isn't the\r\nwhole story, but you can play around with these chords and find a lot\r\nof the sounds on the record.\r\n\r\n\r\nmichael p mccullough ++++ Klamath Falls OR   # 1.541.884.3278\r\nall moanday, tearsday, wailsday, thumpsday, frightday, shatterday (joyce/FW)\r","plain_text":"#----------------------------------PLEASE NOTE---------------------------------#\n#------------------------------------------------------------------------------##\n#\n\nhello\n\nhere is a new tab that gary von collin was kind enough to send me.\nalso included is a pavement tuning spiel.\n\ni am looking for sonic youth tabs and minutemen tabs for my tab\narchives.\n\n\ntake care,\n\nmichael++++++++++++++++++++++++++++++++++++++++++++++++++++\n\n\nDate sent:        Thu, 25 Apr 96 17:58:14 EDT\n\n\n@Song: Gold Soundz\nWritten by Pavement\nRecorded by Pavement on album \"Crooked Rain, Crooked Rain\" (Matador)\nFile format: tab\nTranscription by Gary Von Colln\n\n\nHere's the basic chord progression.  The A-B-D progression is also\nused in the instrumental interlude.  If you don't want to bother with\nthe Dsus2 and Bsus2 just play D and B instead, it will still sound\ngood.\n\n****************************************************************************\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBecause I never want to make you feel\nThat you're social,  never ignorant soul\nBelieve in what you want to do\nAnd do you think that is a major flaw\nWhen they rise up in the falling rain\nAnd if you stay around with your knuckles ground down\nThe trials over, the weapon's found\n\nKeep my address to myself\nCause it's secret\nCause it's secret, cret,\ncret,cret,cret,cret,cret,cret,cret,cret,cret,cret,\nBack right now\n\nSo drunk in the august sun\nAnd you're the kind of girl I like\nBecause you're empty, and I'm empty\nAnd you can never quarantine the past\nDid you remember in December\nThat I won't eat you when I'm gone\nAnd if I go there ,I won't stay there\nBecause I'm sitting here too long\nI've been sitting here too long\nAnd I've been wasting\nAllocating outward\nFor the last word\nLast words come up\nAll you've got to wait\n\n****************************************************************************\n\n\n\n\n\nThe *   or **   just indicates position, e.g. A*   is an A major,\nplayed in the first position (along the guitar neck), while A**   is\nalso A major but played in the second position.\n\nNote that the first string is not played in any of the above chords.\nSince the first and second strings are tuned the same, if you want,\nyou can fret the first string the same as the second and play it.\n\n>From listening to the recording, I think the two guitars play as\nfollows:\n\n[Verse]\n   guitar 1:  A*    - B*    - D*  \n   guitar 2:  A**   - A**   - A**  \n\nHere guitar 2 is playing the A**   the whole time.  Listen for those\nhigh notes on the record, especially during the first verse when\nguitar 1 is quit.\n\n[Chorus]\n   both: F#m - Dsus2 - Bsus2 - Dsus2\n\nintrumental interlude (roughly):\n   guitar 1: A*    - B*   - D*  \n   guitar 2: A**   - B**   - D**  \n\nThe interlude is pretty free form so this simple pattern isn't the\nwhole story, but you can play around with these chords and find a lot\nof the sounds on the record.\n\n\nmichael p mccullough ++++ Klamath Falls OR   # 1.541.884.3278\nall moanday, tearsday, wailsday, thumpsday, frightday, shatterday (joyce/FW)","chords":["A","B","D","Dsus2","Bsus2","F#m","C","G","E"],"chord_diagrams":{"A":{"barres":[],"baseFret":1,"fingers":[0,0,1,2,3,0],"frets":[-1,0,2,2,2,0]},"B":{"barres":[2],"baseFret":1,"fingers":[0,1,2,3,4,1],"frets":[-1,2,4,4,4,2]},"D":{"barres":[],"baseFret":1,"fingers":[0,0,0,1,3,2],"frets":[-1,-1,0,2,3,2]},"Dsus2":{"barres":[],"baseFret":1,"fingers":[0,0,0,1,2,0],"frets":[-1,-1,0,2,3,0]}}}