{"source":"Free Chord Book","source_url":"https://www.free-chords.com","license_note":"Free for personal use. Lyrics and compositions © their respective songwriters and publishers.","tab_id":1780141,"song":"Stupid Girl","artist":"Garbage","content_type":"chord","tab_type":"Chords","url":"https://www.free-chords.com/song/11390742-stupid-girl-chords-by-garbage/","api_url":"https://www.free-chords.com/api/v1/songs/1780141?type=chord","rating":4.81658,"votes":33,"content":"Time:     4|4\r\nTempo:    Moderato\r\nTuning:   F#ADGBe\r\n\r\nChords:   \r\n          F#ADGBe\r\nF#7       X44320  or XX4320\r\nB7        001202  or X21202    \r\n[ch]D#m[/ch]       0113XX\r\n[ch]G#m[/ch]       22110X\r\n[ch]F#5[/ch]       055XXX\r\n\r\n\r\nINTRO:               (Lead over)\r\nN.C.  \r\n[Static Noise]\r\n|[ch]F#7[/ch]    [ch]B7[/ch]|[ch]F#7[/ch]    [ch]B7[/ch]|\r\n|[ch]F#7[/ch]    [ch]B7[/ch]|[ch]F#7[/ch]    [ch]B7[/ch]|\r\n\r\n\r\nVERSE 1:\r\n[tab][ch]F#7[/ch]                     [ch]B7[/ch]\r\nYou pretend you're high,[/tab]\r\n[tab][ch]F#7[/ch]                      [ch]B7[/ch] \r\nYou pretend you're bored.[/tab]\r\n[tab][ch]F#7[/ch]                         [ch]B7[/ch] \r\nYou pretend you're anything,[/tab]\r\n[tab][ch]F#7[/ch]               [ch]B7[/ch] \r\nJust to be adored.[/tab]\r\n[tab][ch]F#7[/ch]               [ch]B7[/ch] \r\nAnd what you need,[/tab]\r\n[tab][ch]F#7[/ch]             [ch]B7[/ch] \r\nIs what you get.[/tab]\r\n\r\n \r\nPRE-CHORUS 1:\r\n[tab][ch]D#m[/ch]              [ch]G#m[/ch]\r\nDon't believe in fear,[/tab]\r\n[tab][ch]D#m[/ch]              [ch]G#m[/ch]\r\nDon't believe in faith.[/tab]\r\n[tab][ch]D#m[/ch]              [ch]G#m[/ch] \r\nDon't believe in anything,[/tab]\r\n[tab][ch]D#m[/ch]            [ch]B7[/ch]\r\nThat you can't break.[/tab]\r\n \r\n\r\nCHORUS 1:\r\n[tab][ch]F#7[/ch]             [ch]B7[/ch] \r\nYou stupid girl,[/tab]\r\n[tab][ch]F#7[/ch]             [ch]B7[/ch]  \r\nYou stupid girl.[/tab]\r\n[tab][ch]F#7[/ch]                 [ch]B7[/ch] \r\nAll you had you wasted,[/tab]\r\n[tab][ch]F#7[/ch]                 [ch]B7[/ch] \r\nAll you had you wasted.[/tab]\r\n\r\n\r\nINSTRUMENTAL 1:  (Lead over)\r\n|[ch]F#7[/ch]    [ch]B7[/ch]|[ch]F#7[/ch]    [ch]B7[/ch]|\r\n|[ch]F#7[/ch]    [ch]B7[/ch]|[ch]F#7[/ch]    [ch]B7[/ch]|\r\n\r\n \r\nVERSE 2:\r\n[tab][ch]F#7[/ch]                  [ch]B7[/ch]\r\nWhat drives you on, (What drives you on) [/tab]\r\n[tab][ch]F#7[/ch]                 [ch]B7[/ch]\r\nCan drive you mad. (Can drive you mad) [/tab]\r\n[tab][ch]F#7[/ch]                    [ch]B7[/ch]\r\nA million lies to sell yourself,[/tab]\r\n[tab][ch]F#7[/ch]                 [ch]B7[/ch] \r\nIs all you ever had. [/tab]\r\n\r\n\r\nPRE-CHORUS 2:\r\n[tab][ch]D#m[/ch]              [ch]G#m[/ch]\r\nDon't believe in fear,[/tab]\r\n[tab][ch]D#m[/ch]              [ch]G#m[/ch]\r\nDon't believe in faith.[/tab]\r\n[tab][ch]D#m[/ch]              [ch]G#m[/ch] \r\nDon't believe in anything,[/tab]\r\n[tab][ch]D#m[/ch]            [ch]B7[/ch]\r\nThat you can't waste. [/tab]\r\n\r\n\r\nCHORUS 2:\r\n[tab][ch]F#7[/ch]             [ch]B7[/ch] \r\nYou stupid girl,[/tab]\r\n[tab][ch]F#7[/ch]             [ch]B7[/ch]  \r\nYou stupid girl.[/tab]\r\n[tab][ch]F#7[/ch]                 [ch]B7[/ch] \r\nCan't believe you fake it,[/tab]\r\n[tab][ch]F#7[/ch]                 [ch]B7[/ch]  \r\nCan't believe you fake it.[/tab]\r\n\r\n\r\nINSTRUMENTAL 2:      (Lead over)\r\n|[ch]F#7[/ch]    [ch]B7[/ch]|[ch]F#7[/ch]    [ch]B7[/ch]|\r\n[tab]|[ch]F#7[/ch]    [ch]B7[/ch]|[ch]F#7[/ch]    [ch]B7[/ch]|\r\n                     (Distorted Lead over)[/tab]\r\n|[ch]F#7[/ch]    [ch]B7[/ch]|[ch]F#7[/ch]    [ch]B7[/ch]|\r\n|[ch]F#7[/ch]    [ch]B7[/ch]|[ch]F#7[/ch]    [ch]B7[/ch]|\r\n \r\n\r\nPRE-CHORUS 3:\r\n[tab][ch]D#m[/ch]              [ch]G#m[/ch]\r\nDon't believe in fear,[/tab]\r\n[tab][ch]D#m[/ch]              [ch]G#m[/ch] \r\nDon't believe in pain.[/tab]\r\n[tab][ch]D#m[/ch]              [ch]G#m[/ch] \r\nDon't believe in anyone,[/tab]\r\n[tab][ch]D#m[/ch]            [ch]B7[/ch] \r\nThat you can't tame. [/tab]\r\n\r\n\r\nCHORUS 3:\r\n[tab][ch]F#7[/ch]             [ch]B7[/ch] \r\nYou stupid girl,[/tab]\r\n[tab][ch]F#7[/ch]             [ch]B7[/ch]  \r\nYou stupid girl.[/tab]\r\n[tab][ch]F#7[/ch]             [ch]B7[/ch] \r\nAll you had you wasted,[/tab]\r\n[tab][ch]F#7[/ch]             [ch]B7[/ch]  \r\nAll you had you wasted. [/tab]\r\n\r\n\r\nCHORUS 4:\r\n[tab][ch]F#7[/ch]             [ch]B7[/ch] \r\nYou stupid girl,[/tab]\r\n[tab][ch]F#7[/ch]             [ch]B7[/ch]  \r\nYou stupid girl.[/tab]\r\n[tab][ch]F#7[/ch]                 [ch]B7[/ch] \r\nCan't believe you fake it,[/tab]\r\n[tab][ch]F#7[/ch]                 [ch]B7[/ch]  \r\nCan't believe you fake it.[/tab]\r\n\r\n\r\nCHORUS 5:\r\n[tab][ch]F#7[/ch]             [ch]B7[/ch] \r\nYou stupid girl,[/tab]\r\n[tab][ch]F#7[/ch]             [ch]B7[/ch]  \r\nYou stupid girl.[/tab]\r\n[tab][ch]F#7[/ch]                 [ch]B7[/ch] \r\nCan't believe you fake it,[/tab]\r\n[tab][ch]F#7[/ch]                 [ch]B7[/ch]  \r\nCan't believe you fake it. [/tab]\r\n\r\n\r\nCODA:                (Distorted Lead over)\r\n|[ch]F#7[/ch]    [ch]B7[/ch]|[ch]F#7[/ch]    [ch]B7[/ch]|\r\n|[ch]F#7[/ch]    [ch]B7[/ch]|[ch]F#7[/ch]    [ch]B7[/ch]|\r\n[tab]           [ch]F#5[/ch] \r\nYou stupid girl.[/tab]\r\n\r\n\r\n[End]\r\n\r\n\r\nNOTES:\r\nsong structure, the compositional reviews and the tuning.\r\nset in common time. It is built on a I-IV change in F#, with both chords, F#7 and B7.  The tonal \r\nfunction of a \"dominant\" seventh chord is to resolve up a perfect fourth. In non-classical harmony, \r\nthe chord is often used similarly, but also, especially in blues, funk, and early rock music, \r\nminor seventh, and the dissonant interval between the two. When the F#7 chord is played, it should \r\ntraditionally resolve to B, which would expectedly be a B major 7th chord, the M7 being the major \r","plain_text":"Time:     4|4\nTempo:    Moderato\nTuning:   F#ADGBe\n\nChords:   \n          F#ADGBe\nF#7       X44320  or XX4320\nB7        001202  or X21202    \nD#m       0113XX\nG#m       22110X\nF#5       055XXX\n\n\nINTRO:               (Lead over)\nN.C.  \n[Static Noise]\n|F#7    B7|F#7    B7|\n|F#7    B7|F#7    B7|\n\n\nVERSE 1:\n\n\n\n\n\n\n\n \nPRE-CHORUS 1:\n\n\n\n\n \n\nCHORUS 1:\n\n\n\n\n\n\nINSTRUMENTAL 1:  (Lead over)\n|F#7    B7|F#7    B7|\n|F#7    B7|F#7    B7|\n\n \nVERSE 2:\n\n\n\n\n\n\nPRE-CHORUS 2:\n\n\n\n\n\n\nCHORUS 2:\n\n\n\n\n\n\nINSTRUMENTAL 2:      (Lead over)\n|F#7    B7|F#7    B7|\n\n|F#7    B7|F#7    B7|\n|F#7    B7|F#7    B7|\n \n\nPRE-CHORUS 3:\n\n\n\n\n\n\nCHORUS 3:\n\n\n\n\n\n\nCHORUS 4:\n\n\n\n\n\n\nCHORUS 5:\n\n\n\n\n\n\nCODA:                (Distorted Lead over)\n|F#7    B7|F#7    B7|\n|F#7    B7|F#7    B7|\n\n\n\n[End]\n\n\nNOTES:\nsong structure, the compositional reviews and the tuning.\nset in common time. It is built on a I-IV change in F#, with both chords, F#7 and B7.  The tonal \nfunction of a \"dominant\" seventh chord is to resolve up a perfect fourth. In non-classical harmony, \nthe chord is often used similarly, but also, especially in blues, funk, and early rock music, \nminor seventh, and the dissonant interval between the two. When the F#7 chord is played, it should \ntraditionally resolve to B, which would expectedly be a B major 7th chord, the M7 being the major","chords":["F#","F#7","B7","D#m","G#m","F#5","C","A","F","B"],"chord_diagrams":{"B7":{"barres":[],"baseFret":1,"fingers":[0,2,1,3,0,4],"frets":[-1,2,1,2,0,2]}}}