{"source":"Free Chord Book","source_url":"https://www.free-chords.com","license_note":"Free for personal use. Lyrics and compositions © their respective songwriters and publishers.","tab_id":1768862,"song":"Whip Appeal","artist":"Babyface","content_type":"chord","tab_type":"Chords","url":"https://www.free-chords.com/song/11385699-whip-appeal-chords-by-babyface/","api_url":"https://www.free-chords.com/api/v1/songs/1768862?type=chord","rating":4.50052,"votes":9,"content":"Whip Appeal\r\nby Babyface (Kenneth Edmonds)\r\nas performed on the live album “MTV Unplugged NYC 1997”\r\nBecause of bring Unplugged, the chords and whole song structure\r\nis very different to the “Tender Lover” version.\r\n\r\nCapo 4 - Standard Tuning\r\nSome chord voicings are more straighforward\r\nwhen played this way (the hand moves to these positions more easily:\r\nB7sus4/E:     022202 (actually is Esus2sus4)\r\nAm13:         X02012\r\nCadd9:        X32030\r\nE/G#:         476454\r\n(as barre chord on 4th relative fret with C shape and playing E string)\r\nC#sus4addb2:  X45774\r\n(as barre chord on 4th relative fret)\r\nBm6:          7X677X\r\nEverything else is played like normal.\r\n\r\n  // Intro:\r\n| [ch]Am13[/ch]  [ch]Esus4[/ch]  [ch]E[/ch]   | [ch]Am13[/ch]   [ch]B7sus4/E[/ch]   [ch]E[/ch]   | [ch]Am13[/ch]   [ch]E7[/ch]  [ch]E/G#[/ch]   | [ch]Cadd9[/ch]   [ch]Am13[/ch]   [ch]E[/ch] |\r\n[tab]| [ch]Am13[/ch]  [ch]Esus4[/ch]  [ch]E[/ch]   | [ch]Am13[/ch]   [ch]B7sus4/E[/ch]   [ch]E[/ch]   | [ch]Am13[/ch]   [ch]E7[/ch]  [ch]E/G#[/ch]   | [ch]Cadd9[/ch]   [ch]Am13[/ch]   [ch]E[/ch] | [ch]Am[/ch]   NC |\r\n                                                                                    Somebody... (see below)[/tab]\r\n\r\n  // Verse:\r\n[tab]NC               [ch]E[/ch]   [ch]E7[/ch]\r\nSomebody told me[/tab]\r\n[tab][ch]E[/ch]\r\nThere'd be trouble at home[/tab]\r\n[tab][ch]Am13[/ch]\r\n'Cause we never talk a lot[/tab]\r\n[tab][ch]B7sus4/E[/ch]            [ch]E[/ch]\r\nWhen we spend time alone[/tab]\r\n[tab][ch]Am[/ch]              [ch]Am13[/ch]\r\nSo how are we supposed to know[/tab]\r\n[tab][ch]E[/ch]\r\nKnow when something is wrong[/tab]\r\n[tab]      [ch]Am[/ch]                      [ch]Am7[/ch]\r\nWell, we've got a right to communicate[/tab]\r\n[tab][ch]E[/ch]                [ch]E/D[/ch]\r\nIt keeps a happy home[/tab]\r\n\r\n\r\n  // Pre-chorus:\r\n[tab]    [ch]C#m[/ch] [ch]E[/ch]  [ch]AM7[/ch]          [ch]BM[/ch]\r\nAnd no one does it like me[/tab]\r\n[tab]    [ch]G#m[/ch]            [ch]C#m[/ch]\r\nAnd no one but you baby[/tab]\r\n[tab][ch]D7/A[/ch]                            [ch]Bsus2[/ch]    NC\r\nHas that kind of whip appeal on me[/tab]\r\n\r\n\r\n  // Chorus:\r\n| Click   | Click   | Click   | Click   |\r\n\r\n| Click   | Click   | Click   | \r\n[tab]                     [ch]Am[/ch]   [ch]Am13[/ch]\r\nKeep on whippin' on me, yeah[/tab]\r\n[tab]           [ch]E[/ch]    [ch]E7[/ch]\r\nWork it on me, yeah[/tab]\r\n[tab]              [ch]Am[/ch]     [ch]Am13[/ch]           [ch]E[/ch]    [ch]E7[/ch]\r\nWhip all your sweet sweet lovin' on me[/tab]\r\n[tab]                    [ch]Am[/ch]   [ch]Am13[/ch]\r\nKeep on whippin' on me (as you)[/tab]\r\n[tab]           [ch]E[/ch]    [ch]E7[/ch]\r\nWork it on me[/tab]\r\n[tab]              [ch]Am[/ch]     [ch]Am7[/ch]            [ch]E[/ch]    [ch]E7[/ch]\r\nWhip all your sweet sweet lovin' on me[/tab]\r\n\r\n\r\n  // Pre-chorus 2:\r\n[tab]    [ch]C#m[/ch] [ch]E[/ch]  [ch]AM7[/ch]          [ch]BM[/ch]\r\nAnd no one does it like me[/tab]\r\n[tab]    [ch]G#m[/ch]            [ch]C#m[/ch]\r\nAnd no one but you baby[/tab]\r\n[tab][ch]D7/A[/ch]                            [ch]Bsus2[/ch]\r\nHas that kind of whip appeal on me[/tab]\r\n\r\n\r\n  // Bridge 1:\r\n[tab]             [ch]E[/ch]\r\nWhatever you want (Whatever you want baby)[/tab]\r\n[tab]                  [ch]E7sus2[/ch]\r\nIt's alright with me (yeah it's alright with me)[/tab]\r\n[tab]                       [ch]AM7[/ch]\r\n'Cause you've got that whip appeal[/tab]\r\n[tab]              [ch]Bsus2[/ch]   [ch]B/A[/ch]\r\nSo work it on me[/tab]\r\n[tab]     [ch]G#m[/ch]\r\nIt's better than love[/tab]\r\n[tab][ch]C#m[/ch]\r\nSweet as can be[/tab]\r\n[tab][ch]C#m[/ch]    [ch]C#5/B[/ch] [ch]G#5[/ch] [ch]AM7[/ch]\r\nYou've got that whip appeal[/tab]\r\n[tab]              [ch]D[/ch]   [ch]A/C#[/ch]   [ch]B[/ch]\r\nSo whip it on me[/tab]\r\n\r\n\r\n  // Bridge 2 (same structure as #1, but more vocal embellishments; 3 & 4 also continue/repeat):\r\n[tab]             [ch]E[/ch]\r\nWhatever you want[/tab]\r\n[tab]                  [ch]E7sus2[/ch]\r\nIt's alright with me[/tab]\r\n[tab]                       [ch]AM7[/ch]\r\n'Cause you've got that whip appeal[/tab]\r\n[tab]              [ch]Bsus2[/ch]   [ch]B/A[/ch]\r\nSo work it on me[/tab]\r\n[tab]     [ch]G#m[/ch]\r\nIt's better than love[/tab]\r\n[tab][ch]C#m[/ch]\r\nSweet as can be[/tab]\r\n[tab][ch]C#m[/ch]    [ch]C#5/B[/ch] [ch]G#5[/ch] [ch]AM7[/ch]\r\nYou've got that whip appeal[/tab]\r\n[tab]              [ch]D[/ch]   [ch]A/C#[/ch]   [ch]B[/ch]\r\nSo whip it on me[/tab]\r\n\r\n  // Bridge 3 (same structure again):\r\n[tab]             [ch]E[/ch]\r\nWhatever you want[/tab]\r\n[tab]                  [ch]E7sus2[/ch]\r\nIt's alright with me[/tab]\r\n[tab]                       [ch]AM7[/ch]\r\n'Cause you've got that whip appeal[/tab]\r\n[tab]              [ch]Bsus2[/ch]   [ch]B/A[/ch]\r\nSo work it on me[/tab]\r\n[tab]     [ch]G#m[/ch]\r\nIt's better than love[/tab]\r\n[tab][ch]C#m[/ch]\r\nSweet as can be[/tab]\r\n[tab][ch]C#m[/ch]    [ch]C#5/B[/ch] [ch]G#5[/ch] [ch]AM7[/ch]\r\nYou've got that whip appeal[/tab]\r\n[tab]              [ch]D[/ch]   [ch]A/C#[/ch]   [ch]B[/ch]\r\nSo whip it on me[/tab]\r\n\r\n  // Final Bridge (starts the same, then changes at end):\r\n[tab]             [ch]E[/ch]\r\nWhatever you want[/tab]\r\n[tab]                  [ch]E7sus2[/ch]\r\nIt's alright with me[/tab]\r\n[tab]                       [ch]AM7[/ch]\r\n'Cause you've got that whip appeal[/tab]\r\n[tab]              [ch]Bsus2[/ch]   [ch]B/A[/ch]\r\nSo work it on me[/tab]\r\n[tab]     [ch]G#m[/ch]\r\nIt's better than love[/tab]\r\n[tab][ch]C#m[/ch]\r\nSweet as can be[/tab]\r\n[tab][ch]C#m[/ch]    [ch]C#5/B[/ch] [ch]G#5[/ch] [ch]AM7[/ch]\r\nYou've got that whip appeal[/tab]\r\n[tab][ch]D[/ch]   [ch]A/C#[/ch]    [ch]B[/ch]    N/C\r\nNo, no, no, no[/tab]\r\n\r\n  // Chorus 2:\r\n[tab]                    [ch]Am[/ch]   [ch]Am13[/ch]\r\nKeep on whippin' on me, yeah[/tab]\r\n[tab]           [ch]E[/ch]    [ch]E7[/ch]\r\nWork it on me, yeah[/tab]\r\n[tab]              [ch]Am[/ch]     [ch]Am13[/ch]           [ch]E[/ch]    [ch]E7[/ch]\r\nWhip all your sweet sweet lovin' on me[/tab]\r\n[tab]                    [ch]Am[/ch]   [ch]Am13[/ch]\r\nKeep on whippin' on me (as you)[/tab]\r\n[tab]           [ch]E[/ch]    [ch]E7[/ch]\r\nWork it on me[/tab]\r\n[tab]              [ch]Am[/ch]     [ch]Am7[/ch]            [ch]AM7[/ch]\r\nWhip all your sweet sweet lovin' on me[/tab]\r\n\r\n\r\n  // Outro:\r\n[ch]AM7[/ch]\r\n[ch]AM7/G#[/ch]\r\n[ch]F#m11[/ch]\r\n[ch]E11[/ch]\r\n[ch]Bm6[/ch]","plain_text":"Whip Appeal\nby Babyface (Kenneth Edmonds)\nas performed on the live album “MTV Unplugged NYC 1997”\nBecause of bring Unplugged, the chords and whole song structure\nis very different to the “Tender Lover” version.\n\nCapo 4 - Standard Tuning\nSome chord voicings are more straighforward\nwhen played this way (the hand moves to these positions more easily:\nB7sus4/E:     022202 (actually is Esus2sus4)\nAm13:         X02012\nCadd9:        X32030\nE/G#:         476454\n(as barre chord on 4th relative fret with C shape and playing E string)\nC#sus4addb2:  X45774\n(as barre chord on 4th relative fret)\nBm6:          7X677X\nEverything else is played like normal.\n\n  // Intro:\n| Am13  Esus4  E   | Am13   B7sus4/E   E   | Am13   E7  E/G#   | Cadd9   Am13   E |\n\n\n  // Verse:\n\n\n\n\n\n\n\n\n\n\n  // Pre-chorus:\n\n\n\n\n\n  // Chorus:\n| Click   | Click   | Click   | Click   |\n\n| Click   | Click   | Click   | \n\n\n\n\n\n\n\n\n  // Pre-chorus 2:\n\n\n\n\n\n  // Bridge 1:\n\n\n\n\n\n\n\n\n\n\n  // Bridge 2 (same structure as #1, but more vocal embellishments; 3 & 4 also continue/repeat):\n\n\n\n\n\n\n\n\n\n  // Bridge 3 (same structure again):\n\n\n\n\n\n\n\n\n\n  // Final Bridge (starts the same, then changes at end):\n\n\n\n\n\n\n\n\n\n  // Chorus 2:\n\n\n\n\n\n\n\n\n  // Outro:\nAM7\nAM7/G#\nF#m11\nE11\nBm6","chords":["E","Cadd9","E/G","C","C#","Am13","Esus4","B7sus4/E","E7","E/G#","Am","Am7","E/D","C#m","AM7","BM","G#m","D7/A","Bsus2","E7sus2","B/A","C#5/B","G#5","D"],"chord_diagrams":{"Am":{"barres":[],"baseFret":1,"fingers":[0,0,2,3,1,0],"frets":[-1,0,2,2,1,0]},"Am7":{"barres":[],"baseFret":1,"fingers":[0,0,2,0,1,0],"frets":[-1,0,2,0,1,0]},"B":{"barres":[2],"baseFret":1,"fingers":[0,1,2,3,4,1],"frets":[-1,2,4,4,4,2]},"Cadd9":{"barres":[],"baseFret":1,"fingers":[0,2,1,0,3,0],"frets":[-1,3,2,0,3,0]},"D":{"barres":[],"baseFret":1,"fingers":[0,0,0,1,3,2],"frets":[-1,-1,0,2,3,2]},"E":{"barres":[],"baseFret":1,"fingers":[0,2,3,1,0,0],"frets":[0,2,2,1,0,0]},"E7":{"barres":[],"baseFret":1,"fingers":[0,2,0,1,0,0],"frets":[0,2,0,1,0,0]},"Esus4":{"barres":[],"baseFret":1,"fingers":[0,1,2,3,0,0],"frets":[0,2,2,2,0,0]}}}