{"source":"Free Chord Book","source_url":"https://www.free-chords.com","license_note":"Free for personal use. Lyrics and compositions © their respective songwriters and publishers.","tab_id":1476227,"song":"Where Is Love Now","artist":"Nickel Creek","content_type":"chord","tab_type":"Chords","url":"https://www.free-chords.com/song/11266959-where-is-love-now-chords-by-nickel-creek/","api_url":"https://www.free-chords.com/api/v1/songs/1476227?type=chord","rating":4.70954,"votes":30,"content":"Where Is Love Now\r\nWritten by Sam Phillips, arranged and performed by Nickel Creek.\r\nCharted by Richard J.M. Fry for Courtney Lawton\r\n*Notes and Notation* Looks there for fun things! Short things, tall things, things that\r\nride on bikes! And, above all, things to help you interpret the song.\r\n\r\nCapo 4:\r\nKey Signature: E major/C relative to Capo\r\nTime Signature: 4/4\r\nTempo: 69-74  Adagietto con dolcezza\r\n\r\nChords used in order (relative to the Capo):\r\nAlso, kids, seriously, check out notes and notations. Everything there is meant to help\r\nyou to…a lot.\r\n\r\nC: X32010\r\nD/C: X3X232\r\nEm: 022000\r\nAm: X02210\r\nAm7/G: 3X2010 *\r\nF: 133211 or 13321X\r\nF/E: 03321X*\r\nDm: XX0231\r\nDm/E: 0XX231*\r\nD: XX0232\r\n\r\n\r\nIntro:\r\n[ch]C[/ch]   [ch]D/C[/ch]   [ch]C[/ch]   [ch]D/C[/ch]\r\n\r\n[tab][ch]C[/ch]                        [ch]Em[/ch]\r\nIf I could wait here for you,[/tab]\r\n[tab]        [ch]Am[/ch]              [ch]Am7/G[/ch]    [ch]F[/ch]\r\nWithout hope or knowing what to  do.[/tab]\r\n[tab][ch]C[/ch]                   [ch]Em[/ch]\r\nWatch the light fade away,[/tab]\r\n[tab]        [ch]Am[/ch]              [ch]Am7/G[/ch]    [ch]F[/ch]        [ch]F/E[/ch]\r\nWithout fear or knowing what to say.[/tab]\r\n\r\n[tab][ch]Dm[/ch]                 [ch]Dm/E[/ch]   [ch]F[/ch]         [ch]F/E[/ch]\r\nCry the tears from my     eyes.[/tab]\r\n[tab][ch]Dm[/ch]               [ch]Dm/E[/ch]  [ch]F[/ch]\r\nLeave me here long    enough to realize.[/tab]\r\n\r\n[tab][ch]C[/ch]              [ch]Em[/ch]\r\nWhere is love now?[/tab]\r\n[tab][ch]C[/ch]              [ch]Em[/ch]\r\nWhere is love now;[/tab]\r\n[tab][ch]Am[/ch]               [ch]D[/ch]\r\nOut here in the dark?[/tab]\r\n\r\n[ch]C[/ch]    [ch]D/C[/ch]\r\n\r\n[tab][ch]C[/ch]                     [ch]Em[/ch]\r\nIf I should hold all my dreams,[/tab]\r\n[tab]            [ch]Am[/ch]                    [ch]Am7/G[/ch]      [ch]F[/ch]\r\nThrough the night of the way life sometimes seems.[/tab]\r\n[tab][ch]C[/ch]                          [ch]Em[/ch]\r\nAnd if I can't see which way to go,[/tab]\r\n[tab]        [ch]Am[/ch]                 [ch]Am7/G[/ch]     [ch]F[/ch]         [ch]F/E[/ch]\r\nI'll stay lost in silence 'til   I  know.[/tab]\r\n\r\n[tab][ch]Dm[/ch]                 [ch]Dm/E[/ch]   [ch]F[/ch]      [ch]F/E[/ch]\r\nCry the tears from my     eyes.[/tab]\r\n[tab]    [ch]Dm[/ch]             [ch]Dm/E[/ch]   [ch]F[/ch]\r\nAnd leave me here long   enough to realize.[/tab]\r\n\r\n[tab][ch]C[/ch]              [ch]Em[/ch]\r\nWhere is love now?[/tab]\r\n[tab][ch]C[/ch]              [ch]Em[/ch]\r\nWhere is love now;[/tab]\r\n[tab][ch]Am[/ch]               [ch]D[/ch]       [ch]Em[/ch]     [ch]D[/ch]\r\nOut here in the dark?[/tab]\r\n\r\nInstrumental Solo:\r\n[ch]C[/ch]   [ch]Em[/ch]   [ch]Am[/ch]   [ch]F[/ch]\r\n[ch]C[/ch]   [ch]Em[/ch]   [ch]Am[/ch]   [ch]F[/ch]\r\n\r\n[tab][ch]Dm[/ch]                 [ch]Dm/E[/ch]   [ch]F[/ch]      [ch]F/E[/ch]\r\nCry the tears from my     eyes.[/tab]\r\n[tab][ch]Dm[/ch]             [ch]Dm/E[/ch]   [ch]F[/ch]\r\nLeave me here long   enough to realize.[/tab]\r\n\r\n[tab][ch]C[/ch]              [ch]Em[/ch]\r\nWhere is love now?[/tab]\r\n[tab][ch]C[/ch]              [ch]Em[/ch]\r\nWhere is love now?[/tab]\r\n[tab][ch]C[/ch]              [ch]Em[/ch]\r\nWhere is love now?[/tab]\r\n[tab][ch]C[/ch]              [ch]Em[/ch]\r\nWhere is love now;[/tab]\r\n[tab][ch]Am[/ch]               [ch]D[/ch]\r\nOut here in the dark?[/tab]\r\n\r\n[ch]Em[/ch]     [ch]D[/ch]\r\n\r\n[tab][ch]Am[/ch]               [ch]D[/ch]\r\nOut here in the dark?[/tab]\r\n\r\nOutro:\r\n[ch]Em[/ch]     [ch]D[/ch]\r\n[ch]Em[/ch]     [ch]D[/ch]\r\n[ch]C[/ch]      [ch]D/C[/ch]\r\n\r\n\r\n*Notes and Notations*\r\n 1. Adagietto con dolcezza: Slow, but not drudging. Don’t linger on chords too long or\r\nelse the sound will quickly get stale. As well, don’t heavy hand any of the\r\nchords--delicate, like a somber lament.\r\n\r\n2. In regards to picking, Sean Watkins (the guitarist for Nickel Creek) is fond of\r\nmimicking finger picking with his style. Think of a hideous amalgamation of Travis picking,\r\nflatpicking, alternating bass picking, and crosspicking. As such, there’s really no\r\nRIGHT way to play this song. You can do delicate picking or finger style; it’s really\r\nup to\r\nyou. I’m biased, as I learned finger style first, but that is just me.\r\n\r\n3. Any chord that is marked with an asterisk is something that is PURELY OPTIONAL. As I\r\nmentioned, Mr. Watkins is keen on alternating bass, considering Nickel Creek very seldom\r\nruns with a double bassist, something odd for a bluegrass ensemble. As such, it is up to\r\nthe guitarist to provide the stepping motion between chords. When you see a chord that\r\nis marked with a slash, it is a compound chord and is used as a stepping chord or a\r\nneighboring chord between tones.\r\n\r\n4. This part is theory babble, so feel free to disregard it. The only exception to the\r\noptional choice is the D/C chord, which is actually a tonic chord with a neighboring step\r\nup to the supertonic (D), while still holding the C. It’s not quite a suspended chord,\r\nas the D/C eventually resolves back to the tonic. As such, the C to D/C to C motion is\r\nan incomplete neighboring chord. As well, you’re probably wondering why there is an Em\r\npresent. Well, A minor is the relative minor of C major, and the song does occasionally\r\ninsinuate a modulation. However, seeing as it does not stay in A minor very long, this\r\nis simply a borrowing of chords from the relative minor rather than a full blown key change.\r\nThat being said, you seldom (and I mean, very seldom), find a usage of a minor V chord\r\n(Em) in a minor key. The V7 is much more enticing, as it allows a very quick segue into a\r\nmajor IV chord in the original key and eventually back to tonic. In the context of this\r\nsong, however, a minor V chord does work as a pivot chord from Am to C, cutting out the\r\nneed for a bridge between a V7/vi to I. As well, it could be a vi/V chord, as Em is borrowed from the dominant of C. Then again, it could be as simple as a iii chord. It's really in the eye of the beholder. Again, just theory babble.\r\n\r\n5. I added a second way to play the F major chord. This is because in the recording, you\r\nnever hear the octave F on the high E string in the recording, so it is, in my opinion,\r\nunnecessary to play it. I’m fond of leaving things out to preserve a good sound rather\r\nthan a complete chord that doesn’t inherently do anything to enhance the harmony.\r\nAgain, feel free to disregard this if you aren’t interested.\r\n\r\n6. Adh mor! (Good luck)","plain_text":"Where Is Love Now\nWritten by Sam Phillips, arranged and performed by Nickel Creek.\nCharted by Richard J.M. Fry for Courtney Lawton\n*Notes and Notation* Looks there for fun things! Short things, tall things, things that\nride on bikes! And, above all, things to help you interpret the song.\n\nCapo 4:\nKey Signature: E major/C relative to Capo\nTime Signature: 4/4\nTempo: 69-74  Adagietto con dolcezza\n\nChords used in order (relative to the Capo):\nAlso, kids, seriously, check out notes and notations. Everything there is meant to help\nyou to…a lot.\n\nC: X32010\nD/C: X3X232\nEm: 022000\nAm: X02210\nAm7/G: 3X2010 *\nF: 133211 or 13321X\nF/E: 03321X*\nDm: XX0231\nDm/E: 0XX231*\nD: XX0232\n\n\nIntro:\nC   D/C   C   D/C\n\n\n\n\n\n\n\n\n\n\n\n\n\nC    D/C\n\n\n\n\n\n\n\n\n\n\n\n\n\nInstrumental Solo:\nC   Em   Am   F\nC   Em   Am   F\n\n\n\n\n\n\n\n\n\n\nEm     D\n\n\n\nOutro:\nEm     D\nEm     D\nC      D/C\n\n\n*Notes and Notations*\n 1. Adagietto con dolcezza: Slow, but not drudging. Don’t linger on chords too long or\nelse the sound will quickly get stale. As well, don’t heavy hand any of the\nchords--delicate, like a somber lament.\n\n2. In regards to picking, Sean Watkins (the guitarist for Nickel Creek) is fond of\nmimicking finger picking with his style. Think of a hideous amalgamation of Travis picking,\nflatpicking, alternating bass picking, and crosspicking. As such, there’s really no\nRIGHT way to play this song. You can do delicate picking or finger style; it’s really\nup to\nyou. I’m biased, as I learned finger style first, but that is just me.\n\n3. Any chord that is marked with an asterisk is something that is PURELY OPTIONAL. As I\nmentioned, Mr. Watkins is keen on alternating bass, considering Nickel Creek very seldom\nruns with a double bassist, something odd for a bluegrass ensemble. As such, it is up to\nthe guitarist to provide the stepping motion between chords. When you see a chord that\nis marked with a slash, it is a compound chord and is used as a stepping chord or a\nneighboring chord between tones.\n\n4. This part is theory babble, so feel free to disregard it. The only exception to the\noptional choice is the D/C chord, which is actually a tonic chord with a neighboring step\nup to the supertonic (D), while still holding the C. It’s not quite a suspended chord,\nas the D/C eventually resolves back to the tonic. As such, the C to D/C to C motion is\nan incomplete neighboring chord. As well, you’re probably wondering why there is an Em\npresent. Well, A minor is the relative minor of C major, and the song does occasionally\ninsinuate a modulation. However, seeing as it does not stay in A minor very long, this\nis simply a borrowing of chords from the relative minor rather than a full blown key change.\nThat being said, you seldom (and I mean, very seldom), find a usage of a minor V chord\n(Em) in a minor key. The V7 is much more enticing, as it allows a very quick segue into a\nmajor IV chord in the original key and eventually back to tonic. In the context of this\nsong, however, a minor V chord does work as a pivot chord from Am to C, cutting out the\nneed for a bridge between a V7/vi to I. As well, it could be a vi/V chord, as Em is borrowed from the dominant of C. Then again, it could be as simple as a iii chord. It's really in the eye of the beholder. Again, just theory babble.\n\n5. I added a second way to play the F major chord. This is because in the recording, you\nnever hear the octave F on the high E string in the recording, so it is, in my opinion,\nunnecessary to play it. I’m fond of leaving things out to preserve a good sound rather\nthan a complete chord that doesn’t inherently do anything to enhance the harmony.\nAgain, feel free to disregard this if you aren’t interested.\n\n6. Adh mor! (Good luck)","chords":["E","C","D/C","Em","Am","G","F","F/E","Dm","Dm/E","D","Am7/G","A"],"chord_diagrams":{"Am":{"barres":[],"baseFret":1,"fingers":[0,0,2,3,1,0],"frets":[-1,0,2,2,1,0]},"C":{"barres":[],"baseFret":1,"fingers":[0,3,2,0,1,0],"frets":[0,3,2,0,1,0]},"D":{"barres":[],"baseFret":1,"fingers":[0,0,0,1,3,2],"frets":[-1,-1,0,2,3,2]},"Dm":{"barres":[],"baseFret":1,"fingers":[0,0,0,2,3,1],"frets":[-1,-1,0,2,3,1]},"Em":{"barres":[],"baseFret":1,"fingers":[0,2,3,0,0,0],"frets":[0,2,2,0,0,0]},"F":{"barres":[1],"baseFret":1,"fingers":[1,3,4,2,1,1],"frets":[1,3,3,2,1,1]}}}