{"source":"Free Chord Book","source_url":"https://www.free-chords.com","license_note":"Free for personal use. Lyrics and compositions © their respective songwriters and publishers.","tab_id":954935,"song":"Lagrima - Prelude 20","artist":"Francisco Tárrega","content_type":"tab","tab_type":"Tabs","url":"https://www.free-chords.com/song/11009813-lagrima-prelude-20-tab-by-francisco-tarrega/","api_url":"https://www.free-chords.com/api/v1/songs/954935?type=tab","rating":4.65342,"votes":5,"content":"[tab]E-|---Song:-Lagrima--------------------------------|\r\nA-|---Author:-Francisco Tarrega--------------------|\r\nD-|---Transcription-by:Christian Liang-------------|\r\nG-|---E-Mail:christian.liang@gmail.com-------------|   \r\nB-|---http://www.classclef.com---------------------|\r\nE-|---Enjoy!---------------------------------------|[/tab]\r\n\r\n==========================================================================\r\n\r\n\r\nI have included the left (LH) and (RH) hand fingering. \r\n\r\np = pulgar = thumb\r\ni = indice = index\r\nm = medio = middle\r\na = anular = ring\r\n\r\n\r\nh= hammer on\r\np= pull off\r\ns = slide\r\n\r\n\r\n[1] \r\n    E       F#m11   E/G#      B7/D#                     \r\n                                        \r\n[tab]e|--4-------5-------7------|--2----------------------|\r\nB|------0-------0-------0--|------0-------0-------0--|\r\nG|-------------------------|----------2--------------|\r\nD|--2-------4-------6------|--1----------------------|\r\nA|-------------------------|------------------2------|\r\nE|-------------------------|-------------------------|\r\n    |   |   |   |   |   |     |   |   |   |   |   |   \r\nLH  4       4       4         4       3       2            \r\n    1       2       2         1                         [/tab]\r\n\r\nRH  a   m    a   m   a   m    a   m   i   m   p   m     \r\n    p        p       m        p\t\t      p         \r\n\r\n[3]\r\n    E       F#m11   E/G#      B7/D# \r\n\r\n[tab]E|--4-------5-------7------|--2----------------------|\r\nB|------0-------0-------0--|------0-------0-------0--|\r\nG|-------------------------|----------2--------------|\r\nD|--2-------4-------6------|--1----------------------|\r\nA|-------------------------|------------------2------|\r\nE|-------------------------|-------------------------|\r\n    |   |   |   |   |   |     |   |   |   |   |   |\r\nR   4       4       4         4       3       2\r\n    1       2       2         1\r\nL   a   m   a   m   a   m     a   m   i   m   p   m \r\n    p       m       p[/tab]\r\n\r\n[5] \r\n    C#m     B11     F#m/A     E/B     F#m7/C#           \r\n \r\n    2/3 IX.......   2/3 IIV.........                              \r\n\r\n[tab]e|--12------11------9------|--7-----------0----------|\r\nB|----------------------7--|------9---------------10-|\r\nG|------9-------9----------|------------------11-----|\r\nD|--11------9-------7------|--9-------11-------------|\r\nA|-------------------------|-------------------------|\r\nE|-------------------------|-------------------------|\r\n    |   |   |   |   |   |     |   |   |   |   |   |  \r\nLH  4   1   4   1   4   1     1   4   3       4   2     \r\n    3       1       1         3                         \r\nRH  a   i   a   i   a   m     a   m   p   a   i   m     \r\n    p       p       p         p                         [/tab]\r\n \t\t\t\t\t\t\t  \t\t          \r\n\r\n[tab][7]\r\n    E/B     F#/A#    B7       E\r\n            II............. \r\nE|------0-------2----------|--0---------------------||\r\nB|--9-------2-----------4--|------------------------||\r\nG|----------3-----------2--|--1---------------------||\r\nD|--9----------------------|--2---------------------||\r\nA|------------------2------|------------------------||\r\nE|-------------------------|----------0-------------||\r\n    |   |   |   |   |   |     |   |   |   |   |   |\r\nR   2       1   1   1   4\r\n    1       2           1[/tab]\r\n\r\nL   m   a   m   a   p   m     m       p\r\n    p       i           i     i\r\n                              p\r\n\r\n[9] \r\n    Em              B7        Em                        \r\n                    II...                                                          \r\n\r\n[tab]e|--3-s-8-p-7---0---2---3--|--0----------------------|\r\nB|--0---------------4------|------1---0--------------|\r\nG|------------------2------|------2---0---2---0---2--|\r\nD|-------------------------|--------------4---2---4--|\r\nA|------------------2------|-------------------------|\r\nE|--0----------------------|--0----------------------|\r\n    |   |   |   |   |   |     |   |   |   |   |   |   \r\nLH  2   2   1       3   2         1       1       1         \r\n                                  2       4   2   4[/tab]\r\n\r\nRH  a   a       a   a   a     a   m   m   m   m   m     \r\n    i               m         p   i   i   i   i   i     \r\n    p               i\t \t\t\t        \r\n                    p\r\n\r\n[tab][11]                           \r\n    Em      F#dim/A F#dim     B7\r\n                              VI..........   \r\nE|-----12-------8----------|----------------------2--|\r\nB|--0------------------10--|--7---------------0------|\r\nG|--0----------------------|--8----------------------|\r\nD|----------7--------------|------9-h-10--9----------|\r\nA|------------------9------|-------------------------|\r\nE|--0----------------------|--7----------------------|[/tab]\r\n   |   |   |   |   |   |     |   |   |   |   |   |\r\n   4   1   2   3   4     2   3   4   3       3\r\nR  m   a   p   a   p   m     m   p       p   m   a\r\n   i\t\t\t  i\r\n   p\t\t\t  p\r\nL\r\n\r\n[13]\r\n    Em      F#m11   Em/G      Am                        \r\n\r\n[tab]e|--3-------5-------7------|-10-p-8---7--------------|\r\nB|------0-------0-------0--|-------------10---8---7--|\r\nG|-------------------------|-------------------------|\r\nD|--2-------4-------5------|-------------------------|\r\nA|-------------------------|--0----------------------|\r\nE|-------------------------|-------------------------|\r\n    |   |   |   |   |   |     |   |   |   |   |   |   \r\nLH  4       4       4         4   2   1   4   2   1              \r\n    2       2       1\t\t\t\t\t\t    \r\nRH  a   m   a   m   a   m     a       m   i   m   i     \r\n    p       p       p         p\t\t\t\t[/tab]\r\n \t\t\t\t\t\t\t\t\t\t  \r\n[15]\r\n    Em/G    D7/A    B7        Em\r\n\r\n[tab]E|--0-------2--------------|--0----------------------|\r\nB|------0-------1---0------|-------------------------|\r\nG|------0-------2-------2--|--0----------------------|\r\nD|----------------------1--|--2----------------------|\r\nA|----------0-------2------|-------------------------|\r\nE|--3----------------------|----------0--------------|\r\n    |   |   |   |   |   |     |   |   |   |   |   |\r\nR   3       4   1   2   3\r\n                3       1     1[/tab]\r\n\r\nL   a   m   a   m   a   m     a       p\r\n    p   i   p   i   p   i     i\r\n                              p\r\n\r\n\r\n\"teardrop\". A deft piece using the whole neck and 4 fingers on the right \r\nlends itself to some degree of Rubato, especially in the second E minor \r\nof the tempo and if done properly can make a piece seem so more musical. \r\nchord changes on the left hand, bar 10 deals with rapid 2 finger (im) \r\nFeel free to explore chord alternatives and different fingering if it \r","plain_text":"==========================================================================\n\n\nI have included the left (LH) and (RH) hand fingering. \n\np = pulgar = thumb\ni = indice = index\nm = medio = middle\na = anular = ring\n\n\nh= hammer on\np= pull off\ns = slide\n\n\n[1] \n    E       F#m11   E/G#      B7/D#                     \n                                        \n\n\nRH  a   m    a   m   a   m    a   m   i   m   p   m     \n    p        p       m        p\t\t      p         \n\n[3]\n    E       F#m11   E/G#      B7/D# \n\n\n\n[5] \n    C#m     B11     F#m/A     E/B     F#m7/C#           \n \n    2/3 IX.......   2/3 IIV.........                              \n\n\n \t\t\t\t\t\t\t  \t\t          \n\n\n\nL   m   a   m   a   p   m     m       p\n    p       i           i     i\n                              p\n\n[9] \n    Em              B7        Em                        \n                    II...                                                          \n\n\n\nRH  a   a       a   a   a     a   m   m   m   m   m     \n    i               m         p   i   i   i   i   i     \n    p               i\t \t\t\t        \n                    p\n\n\n   |   |   |   |   |   |     |   |   |   |   |   |\n   4   1   2   3   4     2   3   4   3       3\nR  m   a   p   a   p   m     m   p       p   m   a\n   i\t\t\t  i\n   p\t\t\t  p\nL\n\n[13]\n    Em      F#m11   Em/G      Am                        \n\n\n \t\t\t\t\t\t\t\t\t\t  \n[15]\n    Em/G    D7/A    B7        Em\n\n\n\nL   a   m   a   m   a   m     a       p\n    p   i   p   i   p   i     i\n                              p\n\n\n\"teardrop\". A deft piece using the whole neck and 4 fingers on the right \nlends itself to some degree of Rubato, especially in the second E minor \nof the tempo and if done properly can make a piece seem so more musical. \nchord changes on the left hand, bar 10 deals with rapid 2 finger (im) \nFeel free to explore chord alternatives and different fingering if it","chords":["E","A","D","G","B","F#","E/G","B7/D","C#m","B11","F#m/A","E/B","C","F#/A","B7","Em","F#dim/A","F#dim","Em/G","Am","D7/A"]}