{"source":"Free Chord Book","source_url":"https://www.free-chords.com","license_note":"Free for personal use. Lyrics and compositions © their respective songwriters and publishers.","tab_id":952551,"song":"Prelude 18 In D Major","artist":"Francisco Tárrega","content_type":"tab","tab_type":"Tabs","url":"https://www.free-chords.com/song/11009767-prelude-18-in-d-major-tab-by-francisco-tarrega/","api_url":"https://www.free-chords.com/api/v1/songs/952551?type=tab","rating":4.58296,"votes":5,"content":"[tab]|---Song:-Prelude in D---------------------------|\r\n|---Author:-Francisco Tarrega--------------------|\r\n|---Transcription-by:Christian Liang-------------|\r\n|---E-Mail:christian.liang@gmail.com-------------|\r\n|---http://www.classclef.com---------------------|\r\n|---Enjoy!---------------------------------------|[/tab]\r\n\r\n\r\nExercise: Triplets, (pima) pluck, harmonic\r\n\r\nA lesser known Francisco Tarrega piece but still great. This song covers the entire neck \r\n14th fret of high e to open low D. This song introduces drop D tuning, natural \r\nand 4 finger (pima) chord pluck on the right hand. Use fingers to individualize \r\nstrings on the chords.\r\n\r\n\r\nTechnique\r\nYou'll need change the tuning to drop D. Playing chords with fingers, not strum.\r\n\r\nBar 2 has a natural harmonic on the 12 fret. A harmonic is a \"bell like\" tone that is \r\nby lightly touching a string over the 12th fret.\r\nBar 7 and 8 (left hand)- finger position is vital in order to transition from chord to chord.\r\nBar 9 and 10 (right hand)- Use your fingers to pluck the exact strings/notes of the \r\nBass (thumb) is always, A if that helps.\r\n\r\nTip\r\nTune Down to Drop D. If you don't have a turner use your D string (4th string)\r\nDon't go too fast because the harder bits are in the middle and at the end of the song.\r\n\r\n\r\nDROP D: Triplets\r\n\r\n[1] 1/3 X.................. II....................\r\n\r\n[tab]e||14----------12---------|-10---------------------|-------------0---------|-----------------------|\r\nB||--------10----------10-|---------10----------12-|-10------------------2-|-3---------------------|\r\nG||----11----------12-----|-----11----------11-----|---------12------2-----|---------4-------------|\r\nD||0----------------------|-0----------(12)--------|-----11----------------|-----4-----------------|\r\nA||------------0----------|------------------------|-0---------------------|-2-------------------2-|\r\nD||-----------------------|------------------------|-----------------------|-------------0---4-----|\r\n | | | | | | | | | | | | | | | | | | | | | | | |\r\nLH 4 2 1 4 3 1 1 2 1 3 2 1 1 2 3 2 3 2 3 4 3 1\r\n 1[/tab]\r\n\r\nRH a i m a i m a i m p i m a i m a i m a i m p p i\r\n p p p p p\r\n\r\n[5] VII..........\r\n\r\n[tab]e|------------------------|-----------------2-h-5--|-7-----------9---------|-10----------7---------|\r\nB|------------------------|-------------3----------|---------0-----------7-|---------7-----------6-|\r\nG|---------2-----------2--|---------2--------------|-----0-----------9-----|-----7-----------7-----|\r\nD|-----5-----------5------|-0-h-4------------------|-----------------------|-----------------------|\r\nA|-4-----------0----------|------------------------|-----------------------|-----------------------|\r\nD|------------------------|------------------------|-5-----------8---------|-9-----------6---------|\r\n | | | | | | | | | | | | | | | | | | | | | | | |\r\nLH 3 4 1 4 1 3 1 2 1 4 4 4 3 1 4 1 1 3 2\r\n 1 2 2 1[/tab]\r\n\r\nRH p i m p i m p i m a a i m a i m a i m i m\r\n p p p p\r\n\r\n[9] 1/2 II....\r\n\r\n[tab]e|-5---7---5---2---3---2--|------------------------|-----------------------|--------------------||\r\nB|-7---7---7---3---3---3--|-3---5---3---0----------|-------------2---------|-3------------------||\r\nG|-------------2---2---2--|-2---2---2---1----------|-------------0---------|-2------------------||\r\nD|-7---7---7--------------|-4---4---4---3----------|-------------2---------|-4------------------||\r\nA|-0-----------0----------|-0-----------0----------|-------------0---------|--------------------||\r\nD|------------------------|------------------------|-----------------------|-0------------------||\r\n | | | | | | | | | | | | | | | | | | | | | | | |\r\nLH 1 4 1 1 3 1 2 4 2 3 2\r\n 3 3 3 2 2 2 1 1 1 1 1\r\n 2 2 2 1 1 1 3 3 3 3 2 3\r\n 0[/tab]\r\n\r\nRH a a a a a a a a a a a a\r\n m m m m m m m m m m m m\r\n i i i i i i i i i i i i\r\n p p p p p p","plain_text":"Exercise: Triplets, (pima) pluck, harmonic\n\nA lesser known Francisco Tarrega piece but still great. This song covers the entire neck \n14th fret of high e to open low D. This song introduces drop D tuning, natural \nand 4 finger (pima) chord pluck on the right hand. Use fingers to individualize \nstrings on the chords.\n\n\nTechnique\nYou'll need change the tuning to drop D. Playing chords with fingers, not strum.\n\nBar 2 has a natural harmonic on the 12 fret. A harmonic is a \"bell like\" tone that is \nby lightly touching a string over the 12th fret.\nBar 7 and 8 (left hand)- finger position is vital in order to transition from chord to chord.\nBar 9 and 10 (right hand)- Use your fingers to pluck the exact strings/notes of the \nBass (thumb) is always, A if that helps.\n\nTip\nTune Down to Drop D. If you don't have a turner use your D string (4th string)\nDon't go too fast because the harder bits are in the middle and at the end of the song.\n\n\nDROP D: Triplets\n\n[1] 1/3 X.................. II....................\n\n\n\nRH a i m a i m a i m p i m a i m a i m a i m p p i\n p p p p p\n\n[5] VII..........\n\n\n\nRH p i m p i m p i m a a i m a i m a i m i m\n p p p p\n\n[9] 1/2 II....\n\n\n\nRH a a a a a a a a a a a a\n m m m m m m m m m m m m\n i i i i i i i i i i i i\n p p p p p p","chords":["D","E","A","B","G"]}